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EW 500 G4-MKE2
All-in-One Wireless System for Broadcasters and Presenters
by Sennheiser
Ref # SENEW500G4MKE2
For full specifications of this model of products please visit the Sennheiser site clicking HERE
PRODUCT DETAILS
The pro‘s choice. Renowned sound engineers rely on ew 500 G4‘s flexibility, especially when handling multi channel settings on the world‘s music stages. Up to 88 MHz bandwidth, up to 32 channels. Ethernet connection for Wireless Systems Manager (WSM) control software included for advanced frequency coordination in multi channel setups.
The pro‘s choice for impressive presentations. The professional MKE 2 Gold omni-directional condenser microphone resists the test of time on any big live stage and ensures a high speech intelligibility on any stage, indoors and outdoors.
KEY FEATURES
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True diversity half-rack receiver in a full-metal housing with intuitive OLED display for full control
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Easy and flexible wireless synchronization between transmitter and receiver via infrared
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Up to 32 compatible channels
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Up to 88 MHz bandwidth with 3520 selectable frequencies, fully tunable in a stable UHF range
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Ethernet connection for Wireless Systems Manager (WSM) control software for advanced frequency coordination in multi-channel setups
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High RF output power (up to 50 mW, adjustable in three steps 10/30/50) depending on country regulations
AVX-MKE2 SET
1.9 Ghz Wireless Broadcast Quality
by Sennheiser
Ref # SENAVXMKE2
For full specifications of this model of products please visit the Sennheiser site clicking HERE
PRODUCT DETAILS
A broadcast quality, omni-directional lavalier set that is ready to film within seconds. Ideal for hands-free interviews and documentaries.
The AVX-MKE2 SET includes a bodypack transmitter with lavalier microphone, the plug on receiver and all accessories to operate out of the box with camcorders as well as DSLR cameras.
It features self configuring digital transmission which eliminates time-consuming radio frequency setup.
The ultra compact receiver rotates around the XLR connector to avoid collision with other devices mounted on your camera. It switches on and off automatically with your camera - saving battery power.
The AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone. From professional wedding video to documentaries, from street interviews to corporate videos, the AVX just works allowing you to concentrate on creativity.
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Very fast setup
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Plugs directly into XLR audio input
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Ultra compact receiver
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Switches on/off by P48 Phantom power
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Optimized dynamic range
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Auto frequency management
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AES 256 encryption
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License free
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Accessories included for DSLR use
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Metal housing
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Made in Germany
Check this product video: Sennheiser plug and record
PXW-FS5
Lightweight, delivers stunning 4K HDR content.
by Sony
Ref # SONPXWFS5
Lens not included
For full specifications of this product please visit the SONY site clicking HERE
PRODUCT DETAILS
Despite its amazingly light 1.77-lb body, the FS5 is more than tough enough for the rigors of real-world shooting.
A magnesium chassis ensures high rigidity with ¼-inch screw holes on handle, top and bottom of the body to support mounting on a drone, gimbal, or in an underwater housing.
A detachable Smart Grip puts all of the FS5’s key functions at your fingertips and is easily adjusted with the press of a single button.
KEY FEATURES
Versatile monitoring
However you want to shoot, the FS5 adapts to fit your style. A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing.
A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. And once attached, the positioning of the screen can be freely adjusted — for example, either beside the camera body or directly along the axis of the lens.
4K Super 35 Exmor (™) sensor
The FS5 is built around a high-sensitivity 4K Super35 Exmor™ CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion.
- 4K resolution: 11.6 million total pixels and 8.8 million* effective pixels deliver 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see
- Super 35 size sensor offers “bokeh,” the defocused backgrounds made possible by shallow depth of field, as well as excellent low-light sensitivity and an expansive field of view
- 14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail
- Sony’s Exmor CMOS design provides high-speed full-pixel read-out capability (without pixel binning) and sophisticated camera processing to ensure jaggies and moiré are minimized
- Record 10bit 4:2:2 in Full HD at up 50 Mbps internally
* RAW output with optional CBKZ-FS5RIF.
a mount flexibility
Sony’s a mount system offers unsurpassed compatibility with both Sony and third-party lenses. The FS5’s E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sony’s E-mount and A-mount lenses. So whether buying new lenses, or making use of lenses you’ve already purchased, the FS5 makes it easy.
Built-in electronic Variable ND Filters
The FS5 features Sony’s unique built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. Unlike conventional optical ND Filters, the electronic ND Filter on the FS5 can be controlled from 1/4 ND to 1/128 ND linearly. ND Filters can also be set to auto.* This makes the FS5 ideal for fast-moving shoots in changeable environments — there’s no need to change filters as lighting conditions change, and variable control makes it easy to keep depth of field under control.
*Requires Version 2.0 firmware or above.
Spectacular HDR performance
Demand for HDR content is increasing and FS5 offers you a choice of two powerful workflows. Whichever option you choose, a phenomenal fourteen stops of exposure latitude ensures the highest fidelity in capturing highlights and details within shadows.
- Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content
- S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading
High Frame Rate (HFR) recording
The FS5 offers High Frame Rate (HFR) cache recording at Full HD 10-bit 4:2:2 image quality and a frame rate of up to 240fps. The 8-second cache recording means no more mis-timed shots leading to extra takes. It also lets you pick out footage at exactly the point that you want. It is also possible to record 120fps with up to 16-second cache recording. Higher frame rates of 480fps and 960fps are also possible at specific resolutions. It is also possible to upgrade the FS5 for even greater creative flexibility.
- CBKZ-FS5HFR* enables continuous 120fps in Full HD
- CBKZ-FS5RIF** enables continuous 240fps in 2K RAW and maximum four seconds of 120fps in 4K (with a suitable recorder)
*Paid upgrade. V4 firmware required.
**Paid upgrade. V2 or above firmware required
Creative Picture Profiles
FS5 offers 9 pre-Programd Picture Profiles, including ones customized for S-Log2, S-Log3, plus a profile tuned to provide vibrant, high contrast visuals for creators who desire a DSLR-style look. Each profile can be individually adjusted to suit your specific requirements and switched between in seconds.
Clear Image Zoom
This proprietary Sony technology significantly extends your ability to get closer to a remote scene while preserving image quality. Once you’ve zoomed in at maximum optical magnification, By Pixel Super Resolution technology can enlarge the image by an additional 200% in Full HD. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens.
Networked for high mobility
- Live stream from any event, thanks to a choice of Wi-Fi or built-in wired LAN
- Control FS5 from your smartphone or tablet
- Built-in NFC supports one-touch authentication possible with appropriate devices
- Be first with breaking news thanks to a built-in wired LAN jack for high-speed FTP transfer of full resolution content
- GPS function automatically records GPS data (requires Version 2.0 firmware or above)
Easily upgraded
FS5 is all about choices. It’s our most affordable Super 35-mm camcorder, but it’s fully upgradeable. FS RAW in 4K or 2K with an external recorder for future-proof content. Continuous 120fps high frame rate recording in Full HD. MPEG HD422 and MPEG HD420 for broadcast applications. It’s easy to upgrade FS5 to meet almost any requirement. Also available is FS5 II, which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus features enhanced creative look.
- CBKZ-FS5RIF enables 4K 60p/50p recording and continuous 2K 240fps/200fps on an external recorder.
- CBKZ-FS5HFR enables 120fps High Frame Rate (HFR) in Full HD
- CBKZ-SLMP enables MPEG HD422 and MPEG HD420
Dual SD card slots with independent record control
To extend recording time and workflow flexibility, the FS5 is equipped with two SDXC/SDHC card slots. “RELAY” mode automatically switches recording from the first to the second memory card when the first is full, while “SIMUL” mode permits simultaneous recording to two memory cards (for example, to create an immediate back-up version). The FS5’s three start/stop buttons (on the grip, handle, and camcorder body) can independently start and stop recording on different memory cards while recording in “SIMUL” mode.
Multi-interface (MI) Shoe
The FS5 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light.*
*Accessories sold separately. HVL-LBPC light does not draw power from FS5.
Dual XLR inputs
The FS5 has two XLR connectors – so even if you remove the handle with its standard, easy-access XLR connector then a second on the body is still available, making it ideal for applications such as shooting in a confined space, such as a car interior, or when mounting on a gimbal.
Discover FS5 II
Also available is FS5 II which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus an enhanced creative look.
24-70MM F2.8 DG OS HSM
ART Lens
by Sigma
Ref # SIG2470F28DGOS
For full specifications of this product please visit the SIGMA site clicking HERE
PRODUCT DETAILS
ART LENS - Discover sophisticated optical performance and abundant expressive power
- Versatile standard focal range
- Outstanding image quality
- F2.8 constant aperture
- OS (Optical Stabilizer)
- HSM (Hyper Sonic Motor)
- Dust and splash resistant structure
- Water and oil repellent coating
- Exclusive low-dispersion glass
- Minimized flare and ghosting
- 9-blade rounded diaphragm
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60-min DVC Premium
by Sony
Ref # DVM60PR
DVM60PRR/2 60-min DVC
Designedfor high definition recording and playback, this 2-pack of DVM60PRR/2premium digital video cassette (DVC) tapes are ideal for capturing themoment. Each tape provides 60 minutes of quality recording time andfeatures diamond-like carbon coating protective layer, which improvesdurability and helps prevent shedding and drop out.
AU-XP0512DG
D-Series expressP2 Card
by Panasonic
Ref # PANAUXP0512DG
For full specifications of this product please visit the PANASONIC site clicking HERE
PRODUCT DETAILS
Highly reliable, professional media cards for 4K / high-speed frame rate recording with the Cinema VariCam camera series and other select Panasonic professional video cameras.
KEY FEATURES
- Reliable recording memory card, encased in a durable metal body with isolation, resists failures from impacts, vibrations, and temperature fluctuations
- P2 card connectors are sturdier than consumer media and are rated for 30,000+ insertion / removal cycles
- Capacity to record 4K / 120 fps and 2K / 240 fps files continuously, depending on camera, with a potential maximum 10 Gbps data transfer speed, approximately 4 times as fast as a standard P2 card
- Error correction capability, equivalent to a RAID system, which restores sector/page error data that typically cannot be recovered with ordinary flash memory
- An individual serial number, bar code, and write-protect switch make it easy to manage video production workflow and operations
LS 300X
Beyond Bi-Color
by Aputure
Ref # APULS300X
For full specifications of this product please visit the APUTURE site clicking HERE
PRODUCT DETAILS
The 300x is the first Bowens Mount Bi-Color light to be compatible with lensed optical modifiers like the Fresnel 2X and Spotlight Mount.
KEY FEATURES
| CRI | = 96 |
| TLCI | = 96 |
| CQS | = 95 |
| SSI (D56) | 74 |
| SSI (Tungsten) | 85 |
| Color Temperature | 2700K~6500K |
| Radio Frequency | 2.4GHz |
| Power Consumption | =350W |
| Cooling Method | Active Cooling |
| Channels | 1/2/3 |
| Remote Ability | = 100m |
| Groups | A/B/C/D |
| Radio Frequency | 2.4GHz |
| Power Supply | AC 100 ~ 240V 50/60Hz |
| Operating Current | 3.5A |
| Operating Voltage (Battery) | = 15A 12V-16.8V |
| APP Control Type | Bluetooth |
| Control Methods | 2.4GHz Remote, Bluetooth Sidus Link, 5-pin DMX512 |
| Net Weight | 7.315kg |
| Size (Light) | 29.84*21.56*34.45cm / 11.75*8.49*13.56in |
| Size (Controller box) | 27.86*12.67*9.67cm / 10.97*4.99*3.81in |
FSII-BASE-II-5
FreeSpeak II-BASE-II-5 Digital Wireless Base Station
by Clear-Com
Ref # CCOFSIIBASE-II-5
For full specifications of this product please visit the Clear-Com site clicking HERhttps://www.clearcom.com/product/fsii-base-ii-5/E
PRODUCT DETAILS
The FSII-BASE-II is a base station for the wireless FreeSpeak II 1.9 GHz and 2.4 GHz active transceiver antennas and beltpacks. The FSII-BASE-II has four 2-wire connections for analog partyline connection, four 4-wire audio connections and four displays with soft keys. Dedicated stage announce (SA) output and program audio input are provided.
KEY FEATURES
- Supports both 1.9GHz and 2.4GHz FSII beltpacks on a single base station
- Routing and configuration of up to 5 FreeSpeak II beltpacks
- Four 2-wire ports with call signal, auto nulling (Clear-Com and RTS)
- Supports 2 transceivers natively and up to 10 transceivers via FSII splitter
- Multi-mode user interface has monitoring, setup and main station modes with assignable soft keys
- Matrix and partyline configurations support up to 12 channels and/or groups
- GPIOs allow assignment to trigger cue lights, tally or radios
- DECT Sync ports for optimizing co-located systems
- RF Audio Filter improves system performance in harsh RF environments
- Browser-based Core Configuration Manager (CCM) with InSite for real-time statistics, beltpack and transceiver diagnostics, and functionality such as Remote Mic Kill
- Text messaging from CCM to wireless beltpacks
Related Videos (Warning: you are being redirected to a site outside ProAVSys)
FSE-BASE
FreeSpeak Edge Base Station
by Clear-Com
Ref # CCOFSEBASE
For full specifications of this product please visit the Clear-Com site clicking HERE
PRODUCT DETAILS
The FreeSpeak Edge base station is a standalone 1RU device that provides extensive connectivity to a wide range of Clear-Com endpoints along with third-party Dante devices.
Built primarily to deploy digital audio connections and IP transceivers, the base station also provides support to FreeSpeak II and Edge beltpacks, 1.9 GHz E1 and IP transceivers*, and 2.4 GHz E1 transceivers.
Please refer to the Clear-Com AoIP Network Recommendations guide for additional switch settings and network characteristics.
*Note: A 1.9 GHz beltpack cannot roam between and E1 1.9 GHz transceiver and an IP 1.9 GHz transceiver. Beltpacks on each system can communicate through the base station.
KEY FEATURES
Capacity
- Supports up to 6 IPT or FSE transceivers and up to 10 E1 transceivers (1.9 or 2.4GHz)
- Supports up to 100 channels
Base Station
- Standard 1 rack unit (RU) device
- High quality 12kHz audio to FS Edge beltpacks
- 2 large full-color touch screen TFT displays
- 4 rotary encoders for gain and menu operation
- Headset connection
- Stage Announce and Prog. Audio cable included
- Functions as PTP Leader Clock
Connectivity
- Wireless 5GHz Edge transceivers and beltpacks
- Wireless 1.9GHz and 2.4GHz FSII splitters, transceivers and beltpacks
- Dante enabled audio devices
- AES67 devices via Dante controller
- 4-wire ports (8 ports RJ45)
- 2-wire ports (4 XLR-3F)
- GPIO (D-type 9 pin)
- LAN – 2 x RJ45, 2 x SFP
Configuration
- CCM browser-based configuration tool
- Direct management with encoders and display
Related Videos (you will be redirect to a site external of ProAVSys domain)
Introduction to the FreeSpeak Edge Base Station
FreeSpeake Edge: It's Here and It Changes Everything
URSA Broadcast Camera 6K G2
Blackmagic Design URSA Broadcast G2
by Blackmagic Design
Ref # BLACINEURSAMWC6KG2
For full specifications of this model and all other URSA Camera products please visit Blackmagicdesign site clicking HERE
The World's most flexible broadcast camera!
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible!
3 Cameras in One !
Broadcast Production Camera
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.
Live Studio Camera
URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
Digital Cinema Camera
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true "Hollywood" quality digital film camera.
Get Digital Film Quality for Broadcast
The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality!
