For full specifications of this model of products please visit the Panasonic site clicking HERE
The X1500 is a small lightweight 4K 60p professional video camera. Offering the on-site mobility and portability demanded by professionals, it enables high-quality 4K 60p recording.
Achieving high-spec optical performance with a wide-angle 25mm*2 lens and 32x i. ZOOM (4K recording), Panasonic's exclusive high-precision AF provides high-speed, accurate focusing for both 4K and Full-HD shooting.
KEY FEATURES
[PRO FEATURES] Manual rings, ND filters, and 24-bit high resolution linear PCM audio recording, 4: 2: 2 10-bit internal recording, double SD card slots
[WIFI LIVE STREAMING] HD live streaming supported by built-in Wi-Fi
[4K RECORDING] 4K 60p recording in a small and light body with a heat-dispersing design
[LEICA DICOMAR LENS] Wide-angle 25mm 24x optical zoom with 5-Axis Hybrid O. I. S (Optical Image Stabilization) and high-speed and focusing.
[DISPLAY / LVF] The 3. 5-inch monitor (2, 760K-dots) with electrostatic touch panel, plus up/down tiltable viewfinder (1, 555K-dot). Simultaneous LCD output is available.
For full specifications of this model of products please visit the Panasonic site clicking HERE
PRODUCT DETAILS
The X2000 professional video camera enables high-quality 4K 60p recording. A wide-angle 25mm lens and 32x i. ZOOM (4K recording), Panasonic's exclusive high-precision AF provides high-speed, accurate focusing for both 4K and Full-HD shooting. X2000 is packed with professional functions, such as 3G SDI Output Two Manual Rings, an ND Filter, a Built-in LED Video Light, and 24-bit High Resolution Linear PCM Audio Recording.
KEY FEATURES
[PRO FEATURES] WiFi live streaming, manual rings, ND filters, built-in LED video light, and 24-bit high resolution linear PCM audio recording, 4: 2: 2 10-bit internal recording, double SD card slots
[VW-HU1 HANDLE] Includes a detachable handle equipped with a 2-channel XLR Audio Input, audio control, and LED light. Also operates zoom.
[4K RECORDING] 4K 60p recording in a small and light body with a heat-dispersing design
[LEICA DICOMAR LENS] Wide-angle 25mm 24x optical zoom with 5-Axis Hybrid O. I. S (Optical Image Stabilization) and high-speed and focusing.
[DISPLAY / LVF] The 3. 5-inch monitor (2, 760K-dots) with electrostatic touch panel, plus up/down tiltable viewfinder (1, 555K-dot). Simultaneous LCD output is available.
For full specifications of this product and all its variations (models, accessories, etc.), please visit the OBSBOT Tiny site by clicking HERE
PRODUCT DETAILS
Stay Pro, Stay Productive
Maintaining the best-in-class image quality, OBSBOT Tiny 2 Lite has now arrived with a worthy price, industry-advanced AI features, and the brand new productive Preset Modes. Experience a seamless journey in your video calls in portrait or landscape with Tiny 2 Lite; your workflow will be professional and productive like never before.
KEY FEATURES:
Efficient, Excellent, Artificial Intelligent
AI Auto Tracking with Auto Zoom
After generations of polishing OBSBOT’s deep neural learning network algorithm, Tiny 2 Lite can now track you in real-time with better framing and appropriate automatic zoom effects. This frees up your hands while adjusting the zoom as desired.
More Accurate Bodypart Tracking
For Tiny 2 Lite, the body part tracking primarily focuses on upper body and close-up. The iterative algorithm in this version offers improved accuracy and smoothness during tracking.
Be Productive with Preset Modes
With the brand new Preset Modes on Tiny 2 Lite, you can now preset the PTZ position and many more parameters! Features like tracking mode, image settings, and Background Blur can be set in advance to enhance your workflow's productivity.
Magical, Efficient Gesture Control 2.0
Use Gesture Control 2.0 to streamline your workflow even from a distance. Three gestures are available for activating AI Auto Tracking and adjusting the Zoom in/out settings.
Professional Video Image
New Webcam Image Standard Settled
Premium 4K Experience. Budget-Friendly Price.
Capture stunning moments in UHD 4K resolution. With up to 4K@30fps and 1080P@60fps, Tiny 2 Lite is an excellent budget choice for capturing vivid details and memorable moments in your everyday life!
Precise, Deft Auto Focus
Tiny 2 Lite utilizes the advanced PDAF (Phase Detection Auto Focus) technology. This allows for a deft and accurate focus process by swiftly detecting the phase and moving the lens immediately to the focus point.
Reliable CMOS for Better Low Light Performance
Tiny 2 Lite's advanced 1/2" CMOS sensor gains amazing image signals and enables an obvious leap in image quality, offering reliable bright-light performance with HDR and low-light performance powered by optimized algorithm.
Your Voice, Focused and Super-clear
Tiny 2 Lite equips a dual-omnidirectional microphone with adjustable noise cancellation. It fits various scenarios for achieving a sound-image synchronized video call experience, as well as a human voice augmentation technology which maintains high-quality sound transmission even in noisy background.
Seamless Video Calls Experiences
Smarten Workflow with Tiny 2 Lite
An Imaginative Tool with Creative Shooting Modes
Rich shooting modes light up your creativity. From shooting in landscape or portrait mode to shooting from an upside-down position, Tiny 2 Lite 1/4' interface gives you the greatest support. Wherever you choose to install it, it ensures clear and pixel-perfect video images.
Get Your Video Call Pro and Protected
Tiny 2 Lite protects your video capture with Sleep Mode 2.0 and other built-in features. In sleep mode, you can select a static image as a shield against leaks.
Simpler. Lighter.Built-in Stand.
Following the design of OBSBOT Tiny 2, the Tiny 2 Lite also embraces minimalism and practicality. With a built-in stand and 2-axis gimbal, your video call experience will be stable for you to unleash more possibilities.
Stream Deck + Tiny 2 Lite=Smooth Workflow
The Tiny 2 Lite is compatible with the Elgato Stream Deck, a production console that enhances the control smoothness of the Tiny 2 Lite without the need for an extra app.
Expand Potential with OBSBOT Center
As one of the most productive control panels in the OBSBOT family, the inner potential of Tiny 2 Lite can be greatly expanded by OBSBOT Center with PTZ control, Beauty Mode, Preset Modes setups, and more features to explore.
Compatibility Makes Workflow Productive
With support for the different tools, Tiny 2 Lite performs an impressive range of uses, which makes it a really productive webcam device for most video platforms you want.
Check this Tiny2 video:
PRODUCT DETAILS:
The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.
The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.
The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.
MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.
From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.
The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.
The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.
From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.
The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.
The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.
Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.
In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.
The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.
MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.
The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.
Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.
MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.
Whether small creation or large production can be handled easily with MAVO Edge 6K.
CMOS IMAGING SENSOR
6K 3:2 Full Frame CMOS Imaging Sensor
Max Record Resolution: 6016×3984 (Open gate 3:2), 24M
Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K
Active Area: Wide 36x24mm, ø 43.3mm
Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)
Latitude: >14 stops
Shutter Angle: 0.7°~358° with rolling shutter
Lens Mount: Omni Native KineMOUNT,
Short FFD Adapters: PL/LPL/Active EF/passive EOLPF with UV and IR-cut filter
ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4
CODECS, LUT
Record Codec
|
Codec Type |
Codec Format |
Bit Depth |
Notes |
|
Uncompressed RAW |
dng |
12bits |
RAW resolution frame rate will be updated in subsequent firmware versions of MAVO Edge 6K |
|
ProRes4444XQ |
Quicktime mov |
12bits |
KineLOG3 |
|
ProRes4444 |
Quicktime mov |
12bits |
KineLOG3 |
|
ProRes422HQ |
Quicktime mov |
10bits |
KineLOG3,ProRes422/LT included |
LUT
Record Media
KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)
KineMAG Nano Size
1.6×3.5×0.35”/40x88x9mm (WxHxL)
RESOLUTION, FRAME RATE and OPTICAL FORMAT
Full Frame
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
FF 6K OG |
6016×3984, 0.2~48fps |
ProRes |
36x24mm, ø 43.3mm |
|
FF 6K 17:9 |
6016×3172, 0.2~60fps |
ProRes |
36×19.1mm, ø 41.0mm |
|
FF 6K 2.4:1 |
6016×2520, 0.2~75fps |
ProRes |
36×15.2mm, ø 39.1mm |
|
FF 5.7K 3:2 |
5760×3700, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
|
FF 6K UHD |
5760×3240, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
|
FF 5.7K 2.4:1 |
5760×2400, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
|
FF 5K 4:3 |
5120×3700, 0.2~50fps |
ProRes |
30.6×22.3mm, ø 37.9mm |
|
FF 5K DCI |
5120×2700, 0.2~70fps |
ProRes |
30.6×16.2mm, ø 34.6mm |
|
FF 5K 2.4:1 |
5120×2160, 0.2~86fps |
ProRes |
30.6×12.9mm, ø 33.2mm |
|
FF 4.6K 6:5 |
4608×3700, 0.2~50fps |
ProRes |
27.6×22.3mm, ø 35.5mm |
|
FF 3.8K 3:2 (Oversample) |
3840×2460, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
|
FF 4K UHD (Oversample) |
3840×2160, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
|
FF 3.8K 2.4:1 (Oversample) |
3840×1600, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
|
FF 3.4K 4:3 (Oversample) |
3456×2460, 0.2~50fps |
ProRes |
31.0×22.1mm, ø 38.1mm |
|
FF 3K 6:5 (Oversample) |
3072×2460, 0.2~50fps |
ProRes |
27.6×22.1mm, ø 35.3mm |
S35
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
S35 4K 3:2 |
4096×2700, 0.2~70fps |
ProRes |
24.5×16.1mm, ø 29.3mm |
|
S35 4K DCI |
4096×2160, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
|
S35 4K 2.4:1 |
4096×1720, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
|
S35 4K UHD |
3840×2160, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
|
S35 3.8K 2.4:1 |
3840×1600, 0.2~150fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
|
S35 3.6K 4:3 |
3712×2700, 0.2~70fps |
ProRes |
22.2×16.1mm, ø 27.4mm |
|
S35 3.2K 6:5 |
3328×2700, 0.2~70fps |
ProRes |
19.9×16.1mm, ø 25.6mm |
|
S35 2.7K 1:1 |
2688×2688, 0.2~70fps |
ProRes |
16.1×16.1mm, ø 22.8mm |
|
S35 2K DCI (Oversample) |
2048×1080, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
|
S35 2K 2.4:1 (Oversample) |
2048×860, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
|
S35 2K FHD (Oversample) |
1920×1080, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
|
S35 1.9K 2.4:1 (Oversample) |
1920×800, 0.2~140fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
Other Cropping
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
3K DCI |
3072×1620, 0.2~144fps |
ProRes |
|
|
3K 2.4:1 |
3072×1200, 0.2~195fps |
ProRes |
|
|
3K HD |
2944×1620, 0.2~145fps |
ProRes |
|
|
3K HD 2.4:1 |
2944×1200, 0.2~195fps |
ProRes |
|
|
2K DCI |
2048×1080, 0.2~200fps |
ProRes |
|
|
2K 2.4:1 |
2048×860, 0.2~270fps |
ProRes |
|
|
2K FHD |
1920×1080, 0.2~220fps |
ProRes |
|
|
1.9K 2.4:1 |
1920×800, 0.2~290fps |
ProRes |
|
MONITORING
Proprietary Video Port x2
SDI x2
For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
3G/1.5G SDI x2 with Meta data (regular BNC)
AUDIO IN AND OUT
Linear PCM, 24bits, 48KHz
Built-in Mono Microphone
3.5mm Microphone Jack
48V Phantom-power Balanced Input x2 (regular XLR)
3.5mm Headphone Jack
Wireless & Network
Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
WIFI 5 for live stream, camera control
3-axis accelerometer
SYNC AND CONTROL
Linear TC In&Out (0B5P)
Lens with RS232, Power output (0B6P)
SYNC with RS232 and Kinefinity camera sync(0B7P)
Rec trigger input with Power output (fisher 3P)
Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)
Type-C USB x1, can be used for firmware updates and importing custom LUTs
POWER IN AND OUT
29W, when 6K HD 25p, liveview
Integrated V-mount battery plate, V-mount battery or BP-U compatible
DC Input (1B2P), 11~26V
UPS EXT 3(for pogo-pin, 2×5 contacts)
D-tap x1, Vbat @3A; Vbat as DC in or BAT in
RS x1, Vbat @3A (Shared with D-tap)
Lens x1, Vbat @3A
CONSTRUCTION AND SIZE
Ultra-high Strength Aircraft Aluminium
3.5lb/1.6kg
4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)
0°C ~ 40°C
PRODUCT DETAILS:
The MAVO Edge 6K Cyber Edition is a powerful new full-frame cinema camera with a body made from RAW steel. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.
The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.
The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.
MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.
From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.
The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.
The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.
From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.
The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.
The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.
Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.
In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.
The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.
MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.
The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.
Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.
MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.
Whether small creation or large production can be handled easily with MAVO Edge 6K.
PRODUCT SPECIFICATIONS:
CMOS IMAGING SENSOR: 6K 3:2 Full Frame CMOS Imaging Sensor
Max Record Res: 6016×3984 (Open gate 3:2), 24M
Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide
Active Area: 36x24mm, ø 43.3mm
Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)
Latitude: >14 stops
Shutter Angle: 0.7°~358° with rolling shutter
Lens Mount: Omni Native KineMOUNT, Short FFD Adapters: PL/LPL/Active EF/passive E
Optical Filter: OLPF with UV and IR-cut filter
ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4
CODECS, LUT
Record Codec
|
Codec Type |
Codec Format |
Bit Depth |
Notes |
|
Uncompressed RAW |
dng |
12bits |
RAW resolution frame rate will be updated in subsequent firmware versions of MAVO Edge 6K |
|
ProRes4444XQ |
Quicktime mov |
12bits |
KineLOG3 |
|
ProRes4444 |
Quicktime mov |
12bits |
KineLOG3 |
|
ProRes422HQ |
Quicktime mov |
10bits |
KineLOG3,ProRes422/LT included |
LUT
Record Media
KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)
KineMAG Nano Size
1.6×3.5×0.35”/40x88x9mm (WxHxL)
RESOLUTION, FRAME RATE and OPTICAL FORMAT
Full Frame
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
FF 6K OG |
6016×3984, 0.2~48fps |
ProRes |
36x24mm, ø 43.3mm |
|
FF 6K 17:9 |
6016×3172, 0.2~60fps |
ProRes |
36×19.1mm, ø 41.0mm |
|
FF 6K 2.4:1 |
6016×2520, 0.2~75fps |
ProRes |
36×15.2mm, ø 39.1mm |
|
FF 5.7K 3:2 |
5760×3700, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
|
FF 6K UHD |
5760×3240, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
|
FF 5.7K 2.4:1 |
5760×2400, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
|
FF 5K 4:3 |
5120×3700, 0.2~50fps |
ProRes |
30.6×22.3mm, ø 37.9mm |
|
FF 5K DCI |
5120×2700, 0.2~70fps |
ProRes |
30.6×16.2mm, ø 34.6mm |
|
FF 5K 2.4:1 |
5120×2160, 0.2~86fps |
ProRes |
30.6×12.9mm, ø 33.2mm |
|
FF 4.6K 6:5 |
4608×3700, 0.2~50fps |
ProRes |
27.6×22.3mm, ø 35.5mm |
|
FF 3.8K 3:2 (Oversample) |
3840×2460, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
|
FF 4K UHD (Oversample) |
3840×2160, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
|
FF 3.8K 2.4:1 (Oversample) |
3840×1600, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
|
FF 3.4K 4:3 (Oversample) |
3456×2460, 0.2~50fps |
ProRes |
31.0×22.1mm, ø 38.1mm |
|
FF 3K 6:5 (Oversample) |
3072×2460, 0.2~50fps |
ProRes |
27.6×22.1mm, ø 35.3mm |
S35
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
S35 4K 3:2 |
4096×2700, 0.2~70fps |
ProRes |
24.5×16.1mm, ø 29.3mm |
|
S35 4K DCI |
4096×2160, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
|
S35 4K 2.4:1 |
4096×1720, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
|
S35 4K UHD |
3840×2160, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
|
S35 3.8K 2.4:1 |
3840×1600, 0.2~150fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
|
S35 3.6K 4:3 |
3712×2700, 0.2~70fps |
ProRes |
22.2×16.1mm, ø 27.4mm |
|
S35 3.2K 6:5 |
3328×2700, 0.2~70fps |
ProRes |
19.9×16.1mm, ø 25.6mm |
|
S35 2.7K 1:1 |
2688×2688, 0.2~70fps |
ProRes |
16.1×16.1mm, ø 22.8mm |
|
S35 2K DCI (Oversample) |
2048×1080, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
|
S35 2K 2.4:1 (Oversample) |
2048×860, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
|
S35 2K FHD (Oversample) |
1920×1080, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
|
S35 1.9K 2.4:1 (Oversample) |
1920×800, 0.2~140fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
Other Cropping
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
3K DCI |
3072×1620, 0.2~144fps |
ProRes |
|
|
3K 2.4:1 |
3072×1200, 0.2~195fps |
ProRes |
|
|
3K HD |
2944×1620, 0.2~145fps |
ProRes |
|
|
3K HD 2.4:1 |
2944×1200, 0.2~195fps |
ProRes |
|
|
2K DCI |
2048×1080, 0.2~200fps |
ProRes |
|
|
2K 2.4:1 |
2048×860, 0.2~270fps |
ProRes |
|
|
2K FHD |
1920×1080, 0.2~220fps |
ProRes |
|
|
1.9K 2.4:1 |
1920×800, 0.2~290fps |
ProRes |
|
MONITORING
Proprietary Video Port x2
SDI x2
For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
3G/1.5G SDI x2 with Meta data (regular BNC)
AUDIO IN AND OUT
Linear PCM, 24bits, 48KHz
Built-in Mono Microphone
3.5mm Microphone Jack
48V Phantom-power Balanced Input x2 (regular XLR)
3.5mm Headphone Jack
Wireless & Network
Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
WIFI 5 for live stream, camera control
3-axis accelerometer
SYNC AND CONTROL
Linear TC In&Out (0B5P)
Lens with RS232, Power output (0B6P)
SYNC with RS232 and Kinefinity camera sync(0B7P)
Rec trigger input with Power output (fisher 3P)
Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)
Type-C USB x1, can be used for firmware updates and importing custom LUTs
POWER IN AND OUT
29W, when 6K HD 25p, liveview
Integrated V-mount battery plate, V-mount battery or BP-U compatible
DC Input (1B2P), 11~26V
UPS EXT 3(for pogo-pin, 2×5 contacts)
D-tap x1, Vbat @3A; Vbat as DC in or BAT in
RS x1, Vbat @3A (Shared with D-tap)
Lens x1, Vbat @3A
CONSTRUCTION AND SIZE
Ultra-high Strength Aircraft Aluminium
3.5lb/1.6kg
4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)
0°C ~ 40°C
For full specifications of this model of products please visit the IDX site clicking HERE
PRODUCT DETAILS
The MC-2SG is a dual simultaneous Gold Mount battery charger. At 2.2 lbs, its optimal for users who frequently travel. It also function as a 90W power supply via the 4-pin XLR output.
Compatible with our MOTIX IM-98G and IM-220G Gold Mount batteries.
* Available only in North America
KEY FEATURES
| Charger: | IM-98G | IM-220G |
| MC-2SG | 2:50 | 6:15 |
| Input Voltage: | AC 100-240V 50/60Hz |
| Power: | 138W max |
| Charge Current: | 3.0A max |
| DC Output: | 90W (15V, 6A) |
| Operating Temperature: | 32°F ~ 113°F |
| Dimensions: | 3.39(W) x 8.98(H) x 5.51(D) inches |
| Weight: | 2.2 lbs approx. |
For full specifications of this product please visit the SONY site clicking HERE
PRODUCT DETAILS
The Panasonic LUMIX FZ2500 offers a hybrid mix of photo and 4K video capture features, built around a large 1-inch 20.1 Megapixel sensor and bright 20X LEICA VARIO-ELMART F2.8-4.5 lens.
Video professionals will enjoy features like Cinelike-D and Cinelike-V for cinema-like gradation, V-Log L upgradability, time code, live HDMI output (4:2:2/8 bit or 4:2:2/10 bit), lens ND filter controls, custom video GUI, and more, with no recording duration limit.
KEY FEATURES
The ideal hybrid camera choice for the advanced 4K video enthusiast and photography enthusiast alike.
Large 1-inch 20.1 Megapixel sensor and bright 20X LEICA VARIO-ELMART F2.8-4.5 lens.
4K Ultra HD video recording plus exclusive LUMIX 4K PHOTO and 4K Post Focus and internal Focus Stacking modes.
CINELIKE D and CINELIKE V for cinema-like gradation, time code, live HDMI output (4:2:2/8 bit or 4:2:2/10 bit), and lens ND filter controls.
Optional V-Log L upgradability for purchase, and an out of the box unlimited recording duration..Weight:Approx. 915g / 2.02 lb (Body only)
For full specifications of this model of products please visit the IDX site clicking HERE
PRODUCT DETAILS
The lightweight and durable VL-2PLUS delivers sequential 2-channel charging with unrivalled high speed and reliability, with the advantage of an integrated 60W power supply.
Like all of our VL Series, the VL-2PLUS is a multi-chemistry charger for both Li-ion and Ni-Cad battery types.
KEY FEATURES
| Input Voltage: | AC 100-240V 50/60Hz |
| Power Consumption: | 140VA max |
| Quick Charge Current: | Li-ion: 2.3A Ni-CD: 1.9A |
| Quick Charge System: | Li-ion: Constant current/Constant voltage Ni-CD: Constant current |
| DC Output: | 60W max |
| Operating Temperature: | 32°F ~ 104°F |
| Dimensions: | 5.94(W) x 3.11(H) x 8.35(D) inches |
| Weight: | 2.09 lbs approx. |
For full specifications of this product please visit the Clear-Com site clicking HERE
PRODUCT DETAILS
The FSII O2 2.4 GHz beltpack is specifically designed to work in Hyperbaric chambers safely, operating at atmospheric pressures of 5.1 atm, 517 kPa, or 75 psi with a change of +/- 26 psi per minute without damage.
KEY FEATURES
For full specifications of this product please visit the RODE site clicking HERE
PRODUCT DETAILS
The HS2 is an ergonomic, lightweight, low-profile headset microphone that delivers crisp, clear audio for hands-free presentations, including on stage, vlogging, broadcast and performance use. Engineered from corrosion-resistant stainless steel and hypoallergenic silicone, with a ceramic finish and Kevlar-reinforced cable, it is extremely durable.
The HS2 features an adjustable boom arm for maximum comfort, and its ultra-low-noise omnidirectional condenser capsule delivers exceptionally natural voice reproduction. The HS2 is available in both large and small variations, with both black and pink options.
KEY FEATURES