For full specifications of this model of products please visit the Sennheiser site clicking HERE
PRODUCT DETAILS
For full specifications of this model of products please visit the Sennheiser site clicking HERE
PRODUCT DETAILS
Directional Audio – The MKE 200 features a super-cardioid capsule that provides focus and detail while rejecting unwanted background noise. Ideal for vloggers and videographers alike, this directional microphone will enhance your in-camera audio and bring clarity to your recordings.
Built-in Wind Screen and Shock Mount – All handheld cameras are susceptible to handling noise, so the MKE 200 features integrated wind protection and shock absorption. These two features combined ensure the cleanest audio recordings possible while shooting video on the move. Add the included furry windshield accessory for maximum wind protection.
Compatibility – In today’s world, your video recording is most likely not confined to one device, and your microphone doesn’t have to be either. Each MKE 200 includes 3.5mm (1/8in) TRS and TRRS cables to be used with DSLR and mirrorless cameras or mobile devices.
Directional microphone for isolated and enhanced in-camera audio
Compact design with sleek and stylish finish
Integrated wind protection and internal suspension mount to minimize handling noise
Interchangeable 3.5mm (1/8"") TRS and TRRS connectivity for use with DSLR and mirrorless cameras or mobile devices
Standard cold shoe mount for universal use
Battery free operation
For full specifications of this product please visit the Blackmagic Design site clicking HERE
PRODUCT DETAILS
Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!
KEY FEATURES
Digital Film, Extreme Resolution
URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.
Cinematic Super 35 12K Sensor
The Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.
Shoot in 12K, Edit on a Laptop
The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.
Blackmagic RAW Fueled Image Capture
Only Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.
Optimized for Fast Flexible Post Production
Shooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi-threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.
Generation 5 Color Science
Blackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!
Full Resolution at Higher Frame Rates
URSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.
High Band Width Recording
URSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS-II SD card recorders, and a SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With "Record RAW on 2 Cards" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB/s to 2 CFast cards, or an impressive 500MB/s to 2 UHS-II SD cards. The SuperSpeed USB-C expansion port on the rear can record to USB-C flash storage up to 900MB/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps!
Easy to Use Blackmagic OS
With advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!
Revolutionary Lightweight, Portable Design
URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G-SDI in and out, USB-C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!
Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!
Built in Precision ND Filters
URSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!
USB-C for Direct Recordingto External Disks
Blackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB-C 3.1 Gen 1 which operates at up to 5 Gb/s, while the new 12K model has a USB-C 3.1 Gen 2 for a blistering 10 Gb/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!
High Resolution Monitoring and Camera Control
The built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a "heads up display" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!
Digital Slate for Fast Metadata Entry
URSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!
Full Size, Durable Connections that Work with Standard Cables
URSA Mini Pro features multiple connections such as 12G-SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD-SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi-rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB-C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.
Wireless Bluetooth Camera Control
If you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!
Includes DaVinci Resolve Studio
URSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.
Optional Shoulder Mount Kit
URSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!
High Resolution Viewfinder for Accurate Focus
The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!
Blackmagic URSA Mini Recorder
The new Blackmagic URSA Mini Recorder lets you record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.
Compatible with Industry Standard Batteries and Power
URSA Mini Pro includes a 4-pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V-Mount and Gold Mount batteries.
For full specifications of this model of products please visit the Panasonic site clicking HERE
PRODUCT DETAILS
Professional camcorders combine power with mobility. These compact units enable high-quality 4K 60p recording with the excellent portability required for professional use. They deliver a high-spec optical performance with a wide-angle 25mm*2 lens and optical 24x zoom featuring Face Detection AF/AE. Professional functions include Two Manual Rings, an ND Filter, a Built-in LED Video Light and 24-bit High-Resolution PCM Audio Recording.
Video acquisition utilizes 4:2:2 10-bit internal recording*3 and the new HEVC (High-Efficiency Video Coding) codec for video compression. HD live streaming is possible with the camcorder body alone due to built-in Wi-Fi. Also, in addition to serving as a highly mobile and responsive director’s camera for strong support when shooting on-location and news gathering, the design also meets the needs of advanced amateurs for uncompromising 4K imaging.
KEY FEATURES
1/2.5-type (1/2.5-inch) Sensor
LEICA Dicomar Lens
Wide 25mm and Optical 24x Zoom Lens
4K High-Precision AF
Face Detection AF/AE Using Color
5-Axis Hybrid O.I.S. (UHD/FHD)
Ball O.I.S. System
ND Filter
Heat-Dispersing Design
Venus Engine
HEVC 4:2:0 10-bit Recording
Multi-Formats Supported
Proxy Rec Supported
4:2:2 10-bit Internal Recording / HDMI Output
MOV File System for Excellent File Management
Super Slow-motion Recording
IR (Infrared) Shooting in Dark Places
16-Axis Independent Color Correction Function
Soft Skin
Master Detail
8-Mode Gamma
Scene Files
Save/Restore Camera Setting
LCD/EVF Displays That Assist Shooting
Professional Assist Functions
The Hollyland Solidcom C1 full-duplex wireless intercom headset system is Hollyland's first true wireless and self-contained headset communication solution with exceptional sound clarity. The system provides a reliable transmission range up to 1,100ft (350m) radius (LOS) featuring hands-free operation maximizes team productivity.
Each headset is designed with a dual-antenna diversity scheme that reinforces anti-interference capability, guaranteeing secured and constant team communication in complex environments. With no belt pack or base station, it offers a highly portable and hands-free coordinating experience for media production teams or any team looking for real-time non-blocking voice communication in socially distanced working scenarios.
Each single headset weighs only 168g, which is lighter than an iPhone12, offering a comfortable wearing experience for long hours. The headset is exquisitely crafted with PC-ABS materials, guaranteeing outstanding flexibility and durability. Each intercom headset comes with a spare lithium battery for convenient field replacement, keeping systems up and running with minimal downtime.
Supporting a Wideband frequency response from 150Hz to 7KHz and premium AEC (Acoustic Echo Cancellation) performance, the Solidcom C1 intercom headsets ensure authentic and clear audio quality for effective teamwork. Equipped with a directional microphone that captures the speaker's voice precisely while minimizing unwanted noise, the system renders an effortless conversation experience even in noisy environments.
The Hollyland Intercom family also includes the following products (click on the links below for full specifications)
SolidCom C1 Pro
SolidCom M1
Mars T1000
Syscom 1000T
You can find a product comparison table clicking HERE
What is SolidCom C1 ? Check the video
PRODUCT DETAILS
The Panasonic ag-ux180 4K premium professional Camcorder records DCI 4K (Cinema 4K) at 24P, UHD 4K at up to 60P, and FHD up to 120P (when set to 59. 94Hz standard). The camera is switchable between the 59. 94 and 50Hz frame format, which is analogous to NTSC and PAL. This allows the camcorder to integrate seamlessly with a wide range of current broadcast video systems in place around the world.
Featuring an integrated 20x optical zoom lens and a 1" Type sensor, the camera records in DCI 4K, UHD, and HD in MOV, MP4. The camera is also capable of recording HD in the avid format.
The 16-axis color correction functionality enables precise color adjustment not normally available on a camcorder. The ag-ux180 offers a bevy of other professional-level features, including dual xlrs with Phantom power, SMPTE time-code generation, Gamma settings for eight different scenarios, and manual control rings for iris, zoom, and focus. To monitor the status of all settings, and to perform critical focusing functions, the camcorder features both a high-quality 3. 5" Oled touch screen and a full-color LCOS 0. 45" Viewfinder with 1, 770, 000 dots of resolution. It incorporates two SD slots that allow for simultaneous recording in UHD and HD (DCI 4K can only record to one SD card). You can also choose relay recording, which allows the recording to shift from one card slot to the other as the card fills up.
Panasonic background recording allows you to record continuously on one card, while starting and stopping The recording on the first card. Dual codec recording is available allowing you to record UHD on one card and HD video on the second.
KEY FEATURES
20x optical zoom and 24mm industry-best wide-angle* LEICA DICOMAR lens
1.0-type 4K MOS Sensor with 4K 24p and UHD 60p/50p recording capabilities
Intelligent Auto-Focus supports smooth and fast focusing when shooting in 4K
High-Resolution Intelligent Zoom increases zooming capability by 30x whilst maintaining high resolution
Super-Slow Motion recording at 120fps in FHD
For full specifications of this product please visit the Inogeni web site clicking HERE
Ideal for classrooms, with this 4 video sources selector (switcher) benefit from instant seamless switching and automatic connection to any app—without drivers.
The CAM300 camera selector (switcher) can be used for a wide variety of applications. It engages a dynamic presentation for HyFlex classroom webinars or live streaming. Keep the flow of your presentation by switching cameras with an easy push button.
4 video cameras sources (2 USB and 2 HDMI) clean switcher into a single USB 3.0 interface
Engage a dynamic presentation and switch easily the camera with a push button
Change camera and video configuration without cutting the flow of your presentation
Ideal for remote education, collaborative meetings, webinars or live streaming
Compatible with the Q-SYS Core processors
See Q-SYS/INOGENI CAM300 application notes
Compatible with Barco ClickShare Conference (CX-20, CX-30 & CX-50)
Output: Uncompressed video on USB 3.0, MJPEG on USB 2.0 and HDMI 1080p60
Audio I/O and mixer via the INOGENI Control App
Controllable by LAN & RS-232
Cost-effective solution that is reliable and simple to install and connect (no driver required)
Compact and robust design with its aluminum enclosure
TAA-compliant
KEY FEATURES
4:1 Camera selector
(Smooth video switch)
4 inputs: 2x HDMI & 2x USB 2.0
2 outputs: HDMI 1080p60 & USB 3.0 output
Video inputs
#1 Connector & video resolutions
1 x USB camera 2.0
MJPEG or H264 (*)
Depends on the camera specifications
#2 Connector & video resolutions
1 x USB camera 2.0
MJPEG or H264 (*)
Depends on the camera specifications
#3 Connector & Video Resolutions
1x HDMI
1080p60, 1080p30, 720p60 and 480p60
(1080p60 supported for S/N greater than KC2111xxx and KCM111xxx)
#4 Connector & video resolutions
1x HDMI
1080p60, 1080p30, 720p60 and 480p60
1080p60 supported for S/N greater than KC2111xxx and KCM111xxx)
Notes for MJPEG and H264
* USB 2.0 or USB 3.0 cameras that only support uncompressed video will not work properly. For better performance, use USB 3.0 or 2.0 cameras that support MJPEG or H264 CODECs.
Color space
HDMI : RGB, YCbCr 4:4:4 and 4:2:2
Video output
HDMI
1x HDMI up to 1080p60
(One mixed video stream)
USB
1x USB 3.0 uncompressed up to 1080p60
(One mixed video stream)
USB - Color Space ou CODEC
USB 3.0: YCbCr (YUY2) 4:2:2 8-bit.
USB 2.0: MJPEG
USB - Video scaler
Automatic hardware-based
USB - Color space conversion
Automatic hardware-based
USB - Sampling conversion
Automatic hardware-based
USB - Frame rate conversion
Automatic hardware-based
Audio
Digital audio I/O
HDMI embedded PCM
USB camera audio
USB 3.0 PCM stereo, audio follow input
Control options
Front buttons
RS-232
LAN
USB
IP interface
DHCP not supported.
Static IP address configuration through our Control App
USB Port
USB expansion port
Two (2) extra USB 3.0 ports for expansion purposes. The devices connected will appear to the host.
Compatibility
Barco ClickShare compatible
Compatible with Barco ClickShare Conference (CX-20, CX-30 & CX-50)
Operating systems
NO driver installation necessary!
Windows 7 and above (32/64-bit)
macOS 10.10 and above
Linux (kernel v2.6.38)
Minimum host requirements
USB 2.0 port – We recommend USB 3.0 for uncompressed video
4GB RAM
Intel Core i5 or equivalent
Graphic card with dedicated memory
Motherboard & laptop
Compatible with all processors and chipsets. Intel, Renesas, ASMedia and Fresco Logic.
Supported cameras
Cameras with an HDMI, DVI or USB 2.0 output
Software Compatibility
UVC-compliant. Runs with all software compatible to DirectShow, AVFoundation and V4L2.
Compatible to: Teams, Zoom, Webex, Google Meet, etc.
Video switch speed
Less than 0.2 second for switching between USB inputs.
Less than 0.2 second for switching between HDMI inputs with same video resolution.
Less than 0.2 second for switching between USB input and “active” HDMI input and vice-versa.
Up to 2 seconds switching between HDMI inputs if video resolutions are different.
*Active HDMI input is the last selected HDMI input.
Physical details
Dimensions (W x L x H)
18.5 cm x 11.0 cm x 3.0 cm
7.25” x 4.25” x 1.25”
Power supply
12V (100-240 VAC 50/60Hz to 12V/1.2A DC)
Weight
469 g (1.03 lb)
Package content
1x 1m/3.3ft USB 3.0 cable (Type-A to Type-B)
1x RS-232 terminal block adapter
1x power supply 100-240 VAC 50/60Hz to 12V/1.2A DC
International adapters included in the box (AUS, EUR, UK and US)
Operating temperature
0° to 45° C
32° to 113° F
Storage temperature
-40° to 105° C
-40° to 221° F
Relative humidity
0% to 90% non-condensing
PRODUCT VIDEO
HOW IT WORKS
For full specifications of this product please visit the ROLAND site clicking HERE
PRODUCT DETAILS
Step Up Your Livestreams
Ditch the webcam and step up your livestreams with the Roland V-02HD MK II Streaming Video Mixer.
Compact, affordable, and simple to use, this desktop device allows you to connect and switch two high-quality HDMI cameras and send them directly to your favorite streaming platform over USB-C.
You can also mix in audio sources via dedicated inputs and HDMI, apply video effects and transitions, and more.
With the V-02HD MK II, you have the interface you need to bring higher production values to your live video productions.
KEY FEATURES
Simply Simple
The V-02HD MK II is the world’s easiest two-camera livestreaming solution. With its intuitive layout, large controls, and T-bar fader, it’s incredibly simple to operate, even if you have no broadcasting experience.
Go live in three quick steps:
1. Plug in up to two sources via HDMI, including cameras, computers, mobile devices, and gaming consoles.
2. Connect the USB-C output to your computer.
3. Launch your streaming software and select the V-02HD MK II as the camera source.
Stream with Every Platform
The V-02HD MK II connects to the streaming computer you already own and the audience you already have. It’s instantly recognized as a camera source when you plug in via USB, so it’s ready to go for Facebook, YouTube, Twitch, and Zoom. It also integrates seamlessly with OBS Studio, StreamYard, and Restream for more advanced workflows. High-quality streaming up to 1080p/60 FPS is supported, and it’s possible to send two additional feeds to external HDMI devices via the Program Out and Preview Out if needed.
A Stress-Free Setup
When you use the V-02HD MK II, everything just works. Plug in your two HDMI sources and let Roland’s advanced tech handle all the details, and say goodbye to computer driver conflicts, crashes, and other reliability issues that come with multiple USB webcams and HDMI-to-USB encoder adaptors.
HDMI Cameras for the Win
From talk shows and live demonstrations to artistic performances and beyond, cameras that support HDMI output will elevate the image quality in your streams and drive more audience engagement. They have much better lenses than any webcam and often have zoom capability to frame your perfect shot. You can connect a variety of different camera types to the V-02HD MK II. Whichever solution you choose, make sure it supports a clean HDMI output that’s free of any overlayed information.
Good—A smartphone or tablet with an HDMI adaptor offers a good option that’s compact and easy to set up anywhere.
Better—A point-and-shoot camera, action camera, or video camcorder with features like zoom and deeper exposure and focus control will take things even further.
Best—A DSLR or mirrorless camera is the ultimate solution, offering the best image quality for a cinematic look, interchangeable lenses, and improved performance in low-light conditions.
Upgrade Your Sound Too
The V-02HD MK II also includes a 10-channel digital audio mixer with Roland’s legendary sound quality. There are two audio inputs with 3.5 mm jacks, and each supports a microphone—including lavalier mics that require plug-in power—or stereo audio from a smartphone, mixer, or other device. Embedded stereo audio from your HDMI sources can be mixed in as well, including microphones connected to your cameras.
Switch with Your Feet
If you give demonstrations or perform in your livestreams, your hands are busy with that task. The V-02HD MK II supports control with up to two optional BOSS footswitches, allowing you to direct your stream without interrupting your presentation. Stomp on a footswitch to switch camera angles, cut to a static image, transition scene layouts, fade picture-in-picture windows, and more.
Go Deeper with Advanced Pro A/V Features
Out of the box, the V-02HD MK II gives you the dedicated controls you need to switch cameras and adjust video and audio sources when you go live. But if you want to dive deeper, there’s a world of advanced features and custom assignments to explore. Connecting an HDMI monitor to the Preview Out provides a display for adjusting a vast range of functions from the V-02HD MK II panel. And with our remote control apps for iPad, macOS, and Windows,* you can operate the V-02HD MK II via an intuitive graphical interface.
More Audio Control
Access full mixing functions for all audio sources, add studio polish with compressor, EQ, and reverb, and have fun with formant shifting and robot sounds with the unique voice changer effect. It’s also possible to independently delay the audio inputs and outputs—including the headphones output—if you have any synchronization issues with your cameras.
Visual Effects and Scenes
Adding video effects and creating scenes has become easier with software, but they put a big burden on your computer. The V-02HD MK II provides a dedicated hardware solution that lightens that load. Via the preview monitor and apps, you can set up picture-in-picture windows, create titles and lower thirds, composite scenes, and much more.
Footswitch Assignment
If you’ve added footswitches to your system, you can set custom functions for them in the preview monitor and remote apps.
Wireless Camera Expansion with the AeroCaster Switcher
The purchase of a V-02HD MK II provides free access to Roland’s AeroCaster Switcher for iPad, a powerful solution to cleanly expand your camera setup without the hassle of extra cables. With this unique app, you can wirelessly connect and switch up to five smartphone or tablet cameras, then output a combined program feed to the V-02HD MK II or another supported Roland switcher with HDMI input.
V-02HD MK II iPad Remote App

The dedicated V-02HD MK II Remote app turns an iPad into an efficient touch interface for the V-02HD MK II. Run essential switching functions, mix audio with virtual faders, change settings and effect parameters quickly, and create up to eight custom scenes for seamless setup changes.
V-02HD MK II RCS for macOS and Windows
With the V-02HD MK II RCS application for macOS and Windows,* you can control nearly all V-02HD MK II functions remotely from your computer via USB. V-02HD MK II RCS can run at the same time as your streaming software, allowing you to direct the entire production from your computer screen.
NEW V-02HD MK II RCS for macOS and Windows
*It works with V-02HD MK II System Program Ver.1.05 and later.
Company and product names appearing on this page are registered trademarks or trademarks of their respective owners.
For full specifications of this product please visit the Clear-Com site clicking HERE
PRODUCT DETAILS
FreeSpeak II is a five-channel, full-duplex wireless intercom solution, ideal for large-scale, complex designs or specialized applications–requiring team members to be untethered and talking in independent channels of communication.
After years of field experience and refinement, FreeSpeak II has become the de facto standard for wireless intercom operation in the 1.9GHz and 2.4GHz band across various markets.
The exceptional RF performance and reliable connections across the system give users the peace of mind they need for staying connected at every major event, programming, stage performance, critical or mass area operation.
Explore the entire FreeSpeak® Wireless Family.
KEY FEATURES
The technology driving FreeSpeak II was designed from the ground up to provide the level of dependability and RF performance that professionals demand in different environments. Combining proven RF operations with smart engineering and ergonomic designs, FreeSpeak II delivers an unmatched solution that simply works time and again—even in the most challenging RF environments.
With FreeSpeak II, you have many options with the way you choose to configure, deploy, operate, integrate and use the system and its components. Do you need to operate in 1.9GHz or 2.4GHz or both? Want a standalone system or as a matrix intercom integration? Use it for point-to-point and/or partyline communication? Connect over CAT5 or Fiber? Configure it completely from the base station or on the browser-based Core Configuration Tool? You make the decisions, and we deliver the solution.
Reliable and flexible cellular roaming technology keeps your users connected and moving freely across an expansive space. Transceivers can be positioned away from the base station or matrix over CAT5 or over a fiber connection. Each Transceiver can create a coverage zone between 300 ft – 500 ft (indoors) or between 800 ft – 1500 ft (outdoor). Up to 10 Transceivers can be strategically placed to create a wide coverage area.
InSite™ live monitoring and telemetry of Beltpacks and Transceivers provides a better user experience for both audio performance and ease of use for all users. InSite includes tools for technical administrators to track beltpack roaming between cellular Transceivers and quality of service over time, thus helping to tune the system for best operation.
Charger & Battery: AC60 BAT60
Accessories: BP-MOUNT
Software: CCM for FreeSpeak II
Xenarc offers Rugged Monitor and Touchscreen Solutions - 7", 8", 9", 10", 12", 15", 18", 24"
Find the Rugged Display Monitor solution that is suitable for your application or system integration project. Most of our Rugged Monitors uses Automotive Grade components, which exceeds Industrial Grade.
This means they have wider operating temperature range and more durable than regular Industrial Monitors.
Xenarc Technologies also provides OEM / ODM Rugged Monitor Customization services if you don't find a suitable rugged monitor that matches your requirements.
For full specifications of this product model please visit the XENARC site clicking HERE
PRODUCT DETAILS
The 2409 series of displays expands Xenarc Technologies’ product line into a larger, more specialized segment of the display market. These 24” High Brightness, 1000NIT displays feature IP69K ruggedization, which allows the monitors to withstand close range, high temperature and high pressure spray downs for sanitization, and rigid stainless steel enclosures that could withstand harsh detergents, acidic/alkaline disinfectants, and seawater. These Xenarc displays will satisfy the stringent sanitation requirements of food processing, beverage production, pharmaceutical manufacturing, and chemical factories. A wide temperature range allows these displays to operate at temperatures down to -22F (-30C) and withstand temperatures up to 158F (70C), making them perfect for food processing applications where refrigeration or freezing is a must, or in marine and outdoor applications where marine spray or sub-freezing temperatures and direct sun exposure may make other displays unusable.
The 2409CNH includes a projected capacitive touchscreen and utilizes a wide viewing angle, full HD IPS panel that features a native resolution of 1920x1080, and VGA and HDMI inputs. VESA mounting holes on the back (100mm and 200mmx100mm) come standard, allowing these displays to be mounted in virtually any situation. Whether outdoors and exposed to the elements, or indoors in extreme temperature environments, the rugged, reasonably priced 2409 series displays are built specifically to enhance and expand any application to the limit. For the non-touchscreen version, please take a look at our 2409YNH.
Why do our 24" Touchscreen Display products outlast others in extreme conditions? Why do our products have a wider temperature range and a wider voltage input range? It is because our mission is to offer engineers, automators and system integrators the best products for any situation. By utilizing high grade components, this display is perfect for industrial, in-car computing applications or any other applications where a small, durable, environmentally rugged display is required, including but not limited to:
Broadcast & Production - Broadcast Stations, Mobile Production Vehicles, Field Rugged Deployment for your mobile workforce, Studio Video Production
Transportation - Marine, Air, Heavy Vehicles, Mining, Weigh Stations, Fleet Management, Telematics, In-Car Computing, Public Transit, Cargo
System Integration - Machinery Controls, Factory Automation, Environmental Monitoring, Home Automation, Military, Smart Home
Point of Sale - Hospitality, Digital Signage, Self-Service Kiosks, Outdoor Kiosks and Signage, Casino
Data Monitoring - Cloud, IoT, Medical, Logistics, Inventory Management, Oil & Gas/Utilities, Law Enforcement, Broadcasting, Veterinary, First Person View
Sunlight Readable – Ready for all environments
Waterproof/Dustproof– Built to Stringent IP69K and IP66 Standards
Multiple Inputs – HDMI, DVI, and VGA Inputs
Automatic Dimming – Built in Ambient Light Sensor
Superior Image – Scalable resolution up to 1080P
Extended Temperature Range
Physical Resolution: 1920 (H) x 1080 (V) HD
Supported Resolution: 640 x 480 ~ 1920 x 1080
Brightness: 1000 cd/m²
Contrast Ratio: 5000:1
Viewing Angle: 178° Horizontal, 178° Vertical
Response Time (Tr+Tf): 25ms (Typ.)
Touch Screen Interface: USB port
Operating Voltage Range: DC 12V
Power Supply: DC 12V
Power Consumption: = 45W
Operating Temperature: -22°F ~ 158°F (-30°C ~ 70°C)
Storage Temperature: -22°F ~ 167°F (-30°C ~ 75°C)
Vibration: Operating Random Vibration Test (5-500Hz, 1.0Grms), IEC 60068-2-64 standard
Shock: Operating Shock Test, 10G peak acceleration (11ms duration), IEC 60068-2-27 standard
MTBF (Mean Time Between Failures): > 55,000 Hours or > 6.2 Years of continuous operation
Dimension (mm): 608W x 392H x 54D
Weight (lb): 22.65
For complete specifications of this product please visit the Sony professional home page clicking HERE
PRODUCT DETAILS
World's first 4K Handheld Camcorder with 1/2-type 3CMOS with 4K 50p/60p recording capability, 12G-SDI, Dual Link Cellular capability, 17x zoom lens, advanced Face Detection AF.
An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow.
Deliver your content faster, wherever you are. PXW-Z280 is the world’s first camcorder with Dual Link Cellular capability for double the uplink performance and reliability.
*Requires PWS-110RX1A/110RX1.
Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimize training requirements.
The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction and enhanced detail reproduction) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.
The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3 mm to 515 mm (35 mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom, and iris, making for better and faster adjustment.
The image can be enlarged in HD mode up to 34x zoom equivalent while maintaining Full HD resolution, thanks to digital extender.
Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.
When shooting HDR content, the Z280’s EVF is easily switched between HDR and SDR emulation modes. In addition, if you adjust the brightness of the image when in SDR emulation, the SDR gain dB is recorded into metadata so it can be used in post-production for the SDR content. Together these changes make it easier to shoot in HDR while also achieving a quick turnaround for SDR content.
*Requires firmware V4.0 or higher.
The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and, however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.
Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.
Live streaming instantly connects you with your audience, wherever you are. From breaking news and live events to interviews and seminars—capture high-quality images and share them in real time on major online video platforms such as YouTube Live, Facebook Live, Mudu.tv, and more. Set up your own streaming channel with your smartphone or tablet, connect via Wi-Fi—and you’re ready to go. You can even import streaming account details from your PC or Mac via an SD card using our StreamingSettingTransfer app.
*Version 4.0 or higher firmware required.
Revolutionize your workflow with 12 Gbps content transfer—four times the bandwidth of 3G-SDI over a single cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.
An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast, and high resolution (2.36M dot) enables precise manual focus and eliminates any color-breaking phenomenon.
The PXW-Z280 comes with 5 GHz* and 2.4 GHz Wi-Fi as standard—simply turn on and log onto your preferred network to enable a host of advanced wireless production features:

High performance, proven recording formats
PXW-Z280 offers complete production flexibility with built-in support for a wide variety of production formats.
High-quality XAVC Intra and XAVC Long GOP recordings
XAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high-definition recording with rich tonal expression.
Broadcast-standard MPEG HD422 and MPEG HD
High-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production.
DVCAM at 25 Mbps in MXF file format
Many broadcasters and production houses still utilize the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.
HDR in HD 120 fps*
Shoot beautiful High Dynamic Range (HDR) content in HD at up to 120 fps (HFR).
*Requires V5 firmware.