For full specifications of this product please visit the Clear-Com site clicking HERE
KEY FEATURES
For full specifications of this product please visit the Clear-Com site clicking HERE
KEY FEATURES
The HXR-NX100 is an affordable, compact Full-HD camera capable of stunning results with a no-compromise big 1.0-type sensor, and a familiar, proven set of manual controls, including three independent manual lens rings, alongside smart fully auto options. The NX100 offers all the professional features you need in a robust yet compact chassis.
Thanks to the 1.0-type Exmor R CMOS sensor, the HXR-NX100 has much higher sensitivity than camcorders in its category. The 1.0 sensor is brighter, has higher resolution and offers more bokeh with a shallow depth of field than any other camcorder in its price range, allowing you to create beautiful, cinematic images that will amaze you and your clients. NX100 offers a step-change in imaging performance while support for multiple recording format capabilities, including XAVC-S 50 Mbps, AVCHD and DV file-based recording, delivers exceptional flexibility for all of today’s Full HD workflows.
Sony developed a high quality, 29-mm wide-angle G Lens specifically for the NX100 to capture even the most expansive scenes with superb clarity. A 12x optical zoom is dramatically enhanced with Sony’s unique By Pixel Super Resolution Technology – which can enlarge the image by additional 24x while still preserving image quality. Zoom performance can also be doubled at any point with digital extender offering a maximum zoom capability of 48 x.
Packed with adaptable professional functions
Professional features such as advanced manual controls, including three independent manual lens rings, built-in 4-step ND filters and class-leading Full-HD performance make the HXR-NX100 an ideal purchase for expert users looking for their first professional camcorder from Sony, who want to step-up from consumer models and low-end shoulder models or simply wish to make the move from tape media to high-speed solid state recording. The NX100 is the perfect, affordable but high-performance choice for a wide range of shoots, including events and corporate videos.
Stunning quality from a large 1.0 type sensor
The HXR-NX100’s single 20 megapixel* 1.0 type Exmor R CMOS sensor is approximately the same size as a 16-mm film frame and seven times larger than three 1/4.7-type sensors combined. The key benefit of this large size is low noise and less blur because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux**. The large sensor size also enables beautiful background defocussing (bokeh) to enable you to focus on what you want to show and defocus the rest of the image.
*14.2 million effective pixels.
**LOW LUX mode.
Sony G Lens with maximum 48x zoom
A fixed 29-mm wide-angle lens with 12x optical zoom makes it easy to capture even the most expansive landscape scenes while also offering superb clarity and sharpness – maximizing the performance of the NX100’s large 1.0-type sensor. The G Lens is Sony’s own camera lens family, designed and manufactured to the high standards of optical performance. In addition, your ability to get in close with the most distant scenes is aided by Sony’s advanced Clear Image Zoom feature. Once you’ve zoomed in at maximum 12x optical magnification, By Pixel Super Resolution Technology can enlarge the image by an additional 200% while still preserving image quality. In addition, zoom performance can be doubled at any point with a digital extender by up to 48x.
Built-in ND Filters
A built-in Neutral Density (ND) filter wheel includes positions for clear, 1/4 (2 stops), 1/16 (4 stops), and 1/64 (6 stops). This makes it easier to get all the advantages of shallow depth of field even in exterior day shoots, with no need to worry about bringing along and fitting a separate filter.
Capture the finest details in 4k (Full HD 4x resolution , QFHD: 3840 x 2160). This camcorder allows incredibly high resolution, to produce vibrant and extremely realistic images. What’s more, the blazingly fast image processor is the same one employed in professional Sony models, making it possible to record 30p movies at the camera’s full resolution for incredibly smooth and sharp playback, with no loss in realism, even when panning the camera and shooting moving.
For complete specifications of this product please visit the Datavideo official site clicking HERE
RMC-180 MARK II PTZ Camera Control Unit

PRODUCT DETAILS:
The MAVO Edge 6K Cyber Edition is a powerful new full-frame cinema camera with a body made from RAW steel. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.
The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.
The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.
MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.
From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.
The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.
The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.
From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.
The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.
The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.
Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.
In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.
The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.
MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.
The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.
Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.
MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.
Whether small creation or large production can be handled easily with MAVO Edge 6K.
PRODUCT SPECIFICATIONS:
CMOS IMAGING SENSOR: 6K 3:2 Full Frame CMOS Imaging Sensor
Max Record Res: 6016×3984 (Open gate 3:2), 24M
Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide
Active Area: 36x24mm, ø 43.3mm
Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)
Latitude: >14 stops
Shutter Angle: 0.7°~358° with rolling shutter
Lens Mount: Omni Native KineMOUNT, Short FFD Adapters: PL/LPL/Active EF/passive E
Optical Filter: OLPF with UV and IR-cut filter
ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4
CODECS, LUT
Record Codec
|
Codec Type |
Codec Format |
Bit Depth |
Notes |
|
Uncompressed RAW |
dng |
12bits |
RAW resolution frame rate will be updated in subsequent firmware versions of MAVO Edge 6K |
|
ProRes4444XQ |
Quicktime mov |
12bits |
KineLOG3 |
|
ProRes4444 |
Quicktime mov |
12bits |
KineLOG3 |
|
ProRes422HQ |
Quicktime mov |
10bits |
KineLOG3,ProRes422/LT included |
LUT
Record Media
KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)
KineMAG Nano Size
1.6×3.5×0.35”/40x88x9mm (WxHxL)
RESOLUTION, FRAME RATE and OPTICAL FORMAT
Full Frame
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
FF 6K OG |
6016×3984, 0.2~48fps |
ProRes |
36x24mm, ø 43.3mm |
|
FF 6K 17:9 |
6016×3172, 0.2~60fps |
ProRes |
36×19.1mm, ø 41.0mm |
|
FF 6K 2.4:1 |
6016×2520, 0.2~75fps |
ProRes |
36×15.2mm, ø 39.1mm |
|
FF 5.7K 3:2 |
5760×3700, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
|
FF 6K UHD |
5760×3240, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
|
FF 5.7K 2.4:1 |
5760×2400, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
|
FF 5K 4:3 |
5120×3700, 0.2~50fps |
ProRes |
30.6×22.3mm, ø 37.9mm |
|
FF 5K DCI |
5120×2700, 0.2~70fps |
ProRes |
30.6×16.2mm, ø 34.6mm |
|
FF 5K 2.4:1 |
5120×2160, 0.2~86fps |
ProRes |
30.6×12.9mm, ø 33.2mm |
|
FF 4.6K 6:5 |
4608×3700, 0.2~50fps |
ProRes |
27.6×22.3mm, ø 35.5mm |
|
FF 3.8K 3:2 (Oversample) |
3840×2460, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
|
FF 4K UHD (Oversample) |
3840×2160, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
|
FF 3.8K 2.4:1 (Oversample) |
3840×1600, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
|
FF 3.4K 4:3 (Oversample) |
3456×2460, 0.2~50fps |
ProRes |
31.0×22.1mm, ø 38.1mm |
|
FF 3K 6:5 (Oversample) |
3072×2460, 0.2~50fps |
ProRes |
27.6×22.1mm, ø 35.3mm |
S35
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
S35 4K 3:2 |
4096×2700, 0.2~70fps |
ProRes |
24.5×16.1mm, ø 29.3mm |
|
S35 4K DCI |
4096×2160, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
|
S35 4K 2.4:1 |
4096×1720, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
|
S35 4K UHD |
3840×2160, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
|
S35 3.8K 2.4:1 |
3840×1600, 0.2~150fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
|
S35 3.6K 4:3 |
3712×2700, 0.2~70fps |
ProRes |
22.2×16.1mm, ø 27.4mm |
|
S35 3.2K 6:5 |
3328×2700, 0.2~70fps |
ProRes |
19.9×16.1mm, ø 25.6mm |
|
S35 2.7K 1:1 |
2688×2688, 0.2~70fps |
ProRes |
16.1×16.1mm, ø 22.8mm |
|
S35 2K DCI (Oversample) |
2048×1080, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
|
S35 2K 2.4:1 (Oversample) |
2048×860, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
|
S35 2K FHD (Oversample) |
1920×1080, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
|
S35 1.9K 2.4:1 (Oversample) |
1920×800, 0.2~140fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
Other Cropping
|
Resolution |
Frame Rate |
Codec |
Optical Format |
|
3K DCI |
3072×1620, 0.2~144fps |
ProRes |
|
|
3K 2.4:1 |
3072×1200, 0.2~195fps |
ProRes |
|
|
3K HD |
2944×1620, 0.2~145fps |
ProRes |
|
|
3K HD 2.4:1 |
2944×1200, 0.2~195fps |
ProRes |
|
|
2K DCI |
2048×1080, 0.2~200fps |
ProRes |
|
|
2K 2.4:1 |
2048×860, 0.2~270fps |
ProRes |
|
|
2K FHD |
1920×1080, 0.2~220fps |
ProRes |
|
|
1.9K 2.4:1 |
1920×800, 0.2~290fps |
ProRes |
|
MONITORING
Proprietary Video Port x2
SDI x2
For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
3G/1.5G SDI x2 with Meta data (regular BNC)
AUDIO IN AND OUT
Linear PCM, 24bits, 48KHz
Built-in Mono Microphone
3.5mm Microphone Jack
48V Phantom-power Balanced Input x2 (regular XLR)
3.5mm Headphone Jack
Wireless & Network
Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
WIFI 5 for live stream, camera control
3-axis accelerometer
SYNC AND CONTROL
Linear TC In&Out (0B5P)
Lens with RS232, Power output (0B6P)
SYNC with RS232 and Kinefinity camera sync(0B7P)
Rec trigger input with Power output (fisher 3P)
Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)
Type-C USB x1, can be used for firmware updates and importing custom LUTs
POWER IN AND OUT
29W, when 6K HD 25p, liveview
Integrated V-mount battery plate, V-mount battery or BP-U compatible
DC Input (1B2P), 11~26V
UPS EXT 3(for pogo-pin, 2×5 contacts)
D-tap x1, Vbat @3A; Vbat as DC in or BAT in
RS x1, Vbat @3A (Shared with D-tap)
Lens x1, Vbat @3A
CONSTRUCTION AND SIZE
Ultra-high Strength Aircraft Aluminium
3.5lb/1.6kg
4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)
0°C ~ 40°C
For full specifications of this product please visit the Clear-Com site clicking HERE
PRODUCT DETAILS
The DX410 system is the premier model within the DX Series wireless intercom systems. Delivering an overall better experience and value, this two-channel wireless intercom system features wideband audio technology, 2-wire and 4-wire bridging, and 2-wire auto-nulling for fast integration with Clear-Com or TW wired partyline systems.
KEY FEATURES
The DX410 offers an advancement in sound quality: the high definition 7kHz wideband audio technology. The high quality audio expands audio range and increases intelligibility in high RF environments so even soft whispers can be heard clearly. With an upgraded radio and lost packet concealment capability, the DX410 delivers an improved experience in performance, range and sound.
The DX410 uses a frequency hopping system (FHSS), and offers spectrum-friendly and Adaptive Frequency Hopping (AFH) modes, to avoid interference with Wi-Fi. Operating in the 2.4GHz band means that DX410 does not require radio licensing for use.
Interconnecting Audio Channels
Typically, each circuit would be on its own channel. On the DX410 base station, there is an option for combining 2-wire and 4-wire audio together on A or B channels, allowing everyone on both circuits to intercommunicate. When daisy-chaining multiple bases together, users can bridge a 4-wire, allowing the use of 4-wire out to send the audio to a mixer, matrix or other audio source.
System Diagram
Each DX410 base station can support up to 15 registered BP410 wireless beltpacks and/or WH410 all-in-one-wireless headsets. In a single-channel operation, any four beltpack users can engage in simultaneous, full-duplex (talk-listen) communication, while only three users may be in full-duplex mode in a dual-channel operation.

Products in Family
Base Station: BS410
Beltpack: BP410
Wireless Headset: WH410
Charger & Battery: AC50 & BAT50
For full specifications of this product please visit the SHURE site clicking HERE
PRODUCT DETAILS
Large conference and convention installations come with unique wireless challenges. A campus-wide solution, ULX-D® Digital Wireless is secure, scalable, and durable. From managing diverse sound sources to protecting RF from smartphones and other stray signals, the intelligent system solves wireless problems of all sizes.
How it works
ULX-D pushes wireless audio further. More streamlined. Higher density. Up to 47 systems running simultaneously within 6 MHz. That’s one reason it’s become the standard bearer for installed digital wireless. And you can hear it in crystal clear performances around the world.
Why it is better
The 24-bit digital audio and the wide frequency response capture the sound as clearly and accurately as it was produced.
Scalable Control
The network is always yours to command with proven Shure tools like Wireless Workbench®, SystemOn, Axient Spectrum Manager, as well as AMX & Crestron integration and Dante audio.
Secure Sound
Confidentiality is ensured via AES-256 encryption that generates a randomized key for each use.
KEY FEATURES
For full specifications of this product please visit the SHURE site clicking HERE
PRODUCT DETAILS
Mid-size venues demand more wireless capability. QLX-D® Digital Wireless is more than ready for the challenge. The robust RF performance lets you step up to an all-around higher class of audio, while protecting the signal at every level. It’s an affordable upgrade and a smart investment in your sound.
How it works
What’s the secret to giving you more wireless with less worry? Control. QLX-D lets you streamline setup across multiple receivers, and Wireless Workbench® software gives you real-time access, monitoring and control throughout the performance. You can even manage the system from your iOS device for maximum convenience.
Why its better
True to the source: The 24-bit digital audio and the wide frequency response capture the sound as clearly and accurately as it was produced.
Persistent Power: The rechargeable lithium-ion battery option extends performance on stage, simplifies workflow and saves money versus replaceable alkaline batteries.
Secure sound: Confidentiality is ensured via AES-256 advanced encryption that generates a randomized key for each use.
KEY FEATURES
For full specifications of this product please visit the SHURE site clicking HERE
PRODUCT DETAILS
How can you bring more energy to the stage? Set the performers free with digital wireless. GLX-D® Advanced Digital Wireless adds more capacity—and more ways to keep the show moving. Ideal for clubs, houses of worship, or other small to mid-sized venues, it’s the gear that breaks performance wide open.
How it works
More channels. More clarity. More efficiency. GLX-D Advanced intelligently uses the license-free 2.4 GHz band to make clearer connections. So acts of all sizes can have more freedom on stage
Why it's better
Hear the clear: With a 20 Hz–20 kHz response and a 120 dB dynamic range, your digital sound can go big while your performance goes free.
Solid signal: Automated frequency coordination continuously scans open frequencies for every linked system. The Frequency Manager (sold separately) seamlessly switches to the optimum channel to keep the show going.
Rock on and on: One lithium ion battery allows up to 11.5 hours of continuous use right out of the box, with charging built right into the receiver. So power swaps won’t stall the show.
KEY FEATURES