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Lumix DC-GX9MK Mirrorless Camera

Lumix DC-GX9MK Mirrorless Camera

with 12-60mm Lens (Black)
by Panasonic
Ref # PANLUMIXDCGX9

For full specifications of this product please visit the SONY site clicking HERE

PRODUCT DETAILS

LUMIX GX9 is perfect for streetwise creative freedom, with vibrant, true-to-life, high-quality images with high resolution and contrast and impressive color.

The 20.3-megapixel Digital Live MOS Sensor (without low-pass filter) ensures maximum performance across a full range of LUMIX G and LEICA DG Micro Four Thirds lenses.

The LUMIX GX9 incorporates 5-axis Dual I.S. (Image Stabilizer) to more effectively suppress blur. 12-60mm F3.5-5.6 Lens included.

KEY FEATURES

  • [20.3 MP] high-resolution MOS Sensor with Tuned Three-Dimensional Color Control to detect hue, saturation and brightness for optimal results
  • [5-Axis Dual I.S.] combines an O.I.S. (Optical Image Stabilizer, 2-axis) and a I.B.I.S.(In-Body Image Stabilizer, 5-axis); 5-axis Dual I.S. enables up to 4-stop slower shutter speeds
  • [Live View Finder] 2760k-dot high-resolution LFV tilts up by approx. 80 degrees with nearly 100% color reproduction; 1.39x / 0.7x (35mm camera equiv.) magnification and 100% field of view
  • [49 Focus Points] plus Custom Multi AF mode quickly and freely select focus blocks from via the touch-enabled LCD screen
  • [4K Technology] 4K 30p video, 4K Live Crop and 4K PHOTO burst with a new Light Composition mode to capture perfect moments
48Wh 14.4V Li-ion Battery

48Wh 14.4V Li-ion Battery

for Sony BP-U Series w 1x D-Tap and USB
by Idx
Ref # SB-U50

For full specifications of this model of products please visit the IDX site clicking HERE

PRODUCT DETAILS

Extra high-capacity 14.4V Lithium Ion battery for Sony U-type mount cameras FS5, FS7, FX9, PMW series camcorder, and more.
* Minutes displayed in the viewfinder may not be accurate on some Sony cameras, LED on the battery should be used to monitor the remaining capacity.

KEY FEATURES

Charge Time (h:mm)
Charger 1 ch 2 ch
Sony BC-U1A 1:45 NA
MOTIX MC-2U 2:15 calculating
Capacity: 48Wh (14.4V/ 3.3Ah)
Max Output Voltage: 16.8V DC
Nominal Voltage: 14.4V DC
Max Discharge Current: 3.2A‡
D-Tap: 35W each
USB: DC 5.0V /2.3A
End Voltage: 11V
Battery Protection: Over charge, Over discharge, Over current
Ambient Temperature: To charge: 32°F ~ 104°F (50°F ~ 86°F recommended)
To discharge: -4°F ~ 113°F (50°F ~ 104°F recommended)
To store: -4°F ~ 122°F (one month)
Dimensions: 1.63(W) x 2.6(H) x 2.74(D) inches
Weight: 0.53 lbs approx.
‡ may vary depending on the operating temperature

MAVO EDGE 6K

MAVO EDGE 6K

by Kinefinity
Ref # KIN101000201

PRODUCT DETAILS:

The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.

The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.

The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. 

MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.

From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.

The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.

The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.

From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.

The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.

The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.

Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.

In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.

The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.

MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.

The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.

Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. 

MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. 

Whether small creation or large production can be handled easily with MAVO Edge 6K. 

 

CMOS IMAGING SENSOR

6K 3:2 Full Frame CMOS Imaging Sensor

 

Max Record Resolution: 6016×3984 (Open gate 3:2), 24M

Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K

Active Area: Wide 36x24mm, ø 43.3mm

Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)

Latitude: >14 stops

Shutter Angle: 0.7°~358° with rolling shutter

Lens Mount: Omni Native KineMOUNT,
                     Short FFD Adapters: PL/LPL/Active EF/passive EOLPF with UV and IR-cut filter

ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4

CODECS, LUT

Record Codec

Codec Type

Codec Format

Bit Depth

Notes

Uncompressed RAW

dng

12bits

RAW resolution frame rate will be updated in subsequent firmware versions of MAVO Edge 6K

ProRes4444XQ

Quicktime mov

12bits

KineLOG3

ProRes4444

Quicktime mov

12bits

KineLOG3

ProRes422HQ

Quicktime mov

10bits

KineLOG3,ProRes422/LT included

 

LUT

Record Media

KineLOG3, Neutral(Rec 709), Support Custom 3D LUT

Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)

KineMAG Nano Size

1.6×3.5×0.35”/40x88x9mm (WxHxL)

RESOLUTION, FRAME RATE and OPTICAL FORMAT

 

Full Frame

Resolution

Frame Rate

Codec

Optical Format

FF 6K OG

6016×3984, 0.2~48fps

ProRes

36x24mm, ø 43.3mm

FF 6K 17:9

6016×3172, 0.2~60fps

ProRes

36×19.1mm, ø 41.0mm

FF 6K 2.4:1

6016×2520, 0.2~75fps

ProRes

36×15.2mm, ø 39.1mm

FF 5.7K 3:2

5760×3700, 0.2~50fps

ProRes

34.5×22.2mm, ø 41.0mm

FF 6K UHD

5760×3240, 0.2~58fps

ProRes

34.5×19.5mm, ø 39.6 mm

FF 5.7K 2.4:1

5760×2400, 0.2~75fps

ProRes

34.5×14.4mm, ø 37.4mm

FF 5K 4:3

5120×3700, 0.2~50fps

ProRes

30.6×22.3mm, ø 37.9mm

FF 5K DCI

5120×2700, 0.2~70fps

ProRes

30.6×16.2mm, ø 34.6mm

FF 5K 2.4:1

5120×2160, 0.2~86fps

ProRes

30.6×12.9mm, ø 33.2mm

FF 4.6K 6:5

4608×3700, 0.2~50fps

ProRes

27.6×22.3mm, ø 35.5mm

FF 3.8K 3:2 (Oversample)

3840×2460, 0.2~50fps

ProRes

34.5×22.2mm, ø 41.0mm

FF 4K UHD (Oversample)

3840×2160, 0.2~58fps

ProRes

34.5×19.5mm, ø 39.6 mm

FF 3.8K 2.4:1 (Oversample)

3840×1600, 0.2~75fps

ProRes

34.5×14.4mm, ø 37.4mm

FF 3.4K 4:3 (Oversample)

3456×2460, 0.2~50fps

ProRes

31.0×22.1mm, ø 38.1mm

FF 3K 6:5 (Oversample)

3072×2460, 0.2~50fps

ProRes

27.6×22.1mm, ø 35.3mm

 

S35

Resolution

Frame Rate

Codec

Optical Format

S35 4K 3:2

4096×2700, 0.2~70fps

ProRes

24.5×16.1mm,  ø 29.3mm

S35 4K DCI

4096×2160, 0.2~112fps

ProRes

24.5×12.9mm, ø 27.7mm

S35 4K 2.4:1

4096×1720, 0.2~140fps

ProRes

24.5×10.3mm, ø 26.6mm

S35 4K UHD

3840×2160, 0.2~112fps

ProRes

23.0×12.9mm, ø 26.4mm

S35 3.8K 2.4:1

3840×1600, 0.2~150fps

ProRes

23.0×9.6mm, ø 24.9mm

S35 3.6K 4:3

3712×2700, 0.2~70fps

ProRes

22.2×16.1mm, ø 27.4mm

S35 3.2K 6:5

3328×2700, 0.2~70fps

ProRes

19.9×16.1mm, ø 25.6mm

S35 2.7K 1:1

2688×2688, 0.2~70fps

ProRes

16.1×16.1mm, ø 22.8mm

S35 2K DCI (Oversample)

2048×1080, 0.2~112fps

ProRes

24.5×12.9mm, ø 27.7mm

S35 2K 2.4:1 (Oversample)

2048×860, 0.2~140fps

ProRes

24.5×10.3mm, ø 26.6mm

S35 2K FHD (Oversample)

1920×1080, 0.2~112fps

ProRes

23.0×12.9mm, ø 26.4mm

S35 1.9K 2.4:1 (Oversample)

1920×800, 0.2~140fps

ProRes

23.0×9.6mm, ø 24.9mm

 

Other Cropping

Resolution

Frame Rate

Codec

Optical Format

3K DCI

3072×1620, 0.2~144fps

ProRes

 

3K 2.4:1

3072×1200, 0.2~195fps

ProRes

 

3K HD

2944×1620, 0.2~145fps

ProRes

 

3K HD 2.4:1

2944×1200, 0.2~195fps

ProRes

 

2K DCI

2048×1080, 0.2~200fps

ProRes

 

2K 2.4:1

2048×860, 0.2~270fps

ProRes

 

2K FHD

1920×1080, 0.2~220fps

ProRes

 

1.9K 2.4:1

1920×800, 0.2~290fps

ProRes

 

 

MONITORING

Proprietary Video Port x2

SDI x2

For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen

3G/1.5G SDI x2 with Meta data (regular BNC)

 

AUDIO IN AND OUT

Linear PCM, 24bits, 48KHz

Built-in Mono Microphone

3.5mm Microphone Jack

48V Phantom-power Balanced Input x2 (regular XLR)

3.5mm Headphone Jack

 

Wireless & Network

Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer

WIFI 5 for live stream, camera control

3-axis accelerometer

 

SYNC AND CONTROL

Linear TC In&Out (0B5P)

Lens with RS232, Power output (0B6P)

SYNC with RS232 and Kinefinity camera sync(0B7P)

Rec trigger input with Power output (fisher 3P)

Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)

Type-C USB x1, can be used for firmware updates and importing custom LUTs

 

POWER IN AND OUT

29W, when 6K HD 25p, liveview

Integrated V-mount battery plate, V-mount battery or BP-U compatible

DC Input (1B2P), 11~26V

UPS EXT 3(for pogo-pin, 2×5 contacts)

D-tap x1, Vbat @3A; Vbat as DC in or BAT in

RS x1, Vbat @3A (Shared with D-tap)

Lens x1, Vbat @3A

 

CONSTRUCTION AND SIZE

Ultra-high Strength Aircraft Aluminium

3.5lb/1.6kg

4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)

0°C ~ 40°C

PTC-140

PTC-140

HD PTZ Camera
by Datavideo
Ref # DATPTC140

For full specifications of this model of products please visit the Datavideo site clicking HERE

PRODUCT DETAILS

Stunning Full HD resolution

The PTC-140 features 1/2.8 inch CMOS sensor, 1920x1080px Full HD resolution

KEY FEATURES

Simultaneous Outputs 

Connect your PTC-140 to multiple devices in your workflow for flexibility. All the outputs are active at the same time.

Image

20x Optical Zoom, 10x Digital Zoom
The PTC-140's 20x optical zoom and 10x digital zoom allows you to mount it near or far and still get great, sharp shots.

Advanced 2D/3D noise reduction function
Supports advanced digital noise reduction, even in less-than-perfect lighting conditions can shoot clear and smooth image.

Wide 54° Field of View
PTC-140 provides a wide Field of View of 54°, easily shooting all the scenes in the field.

Image

H.264/H.265 video compression for streaming
With built-in streaming encoder, can encode up to 2 simultaneous streams to any cloud service.

Simple multi-camera control at your fingertips
With its ergonomic joystick and tactile button layout, the RMC-180 makes it easy to set up and control up to four Datavideo PTC-140 cameras for any live video production.

Image

RMC-300A can control up to 24 PTC-140 cameras
Designed to control up to 24 PTC-140 cameras, with preset memory for easy camera control. Able to control up to 24 Datavideo PTC-140 cameras simultaneously, 7 presets for each camera to operate with RGB backlit buttons.

Image

Remote control and preview by web user interface

Remote control and preview by web user interface

FREE PTZ View Assist APP
Control up to four cameras with your Wireless Touch Screen. It can monitor the live streaming video from PTC-140 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus, and IRIS.

PTZ View Assist

Lumix DC-LX100M2

Lumix DC-LX100M2

Small and light with a sharp four thirds sensor
by Panasonic
Ref # PANLUMIXDCLX100M2

For full specifications of this product please visit the SONY site clicking HERE

PRODUCT DETAILS

Small and light, perfect for street photography, LUMIX LX100 II features a sharp Large Four Thirds sensor (17 Megapixel in 4:3 aspect) to capture even the finest details, with 24P/ 30P 4K video and 4K photo modes plus focus stacking and 4K pre-burst.

Improved Photo Capture modes, Bluetooth 4. 2, Wi-Fi 2. 4GHz with a premium grip, refined body styling, and integrated Leica DC VARIO-SUMMILUX zoom lens (35mm camera equivalent: 24-75mm) with power O. I. S.

KEY FEATURES

  • Large Four Thirds sensor - 17 MP [4: 3 aspect] high-sensitivity multi-aspect Four Thirds MOS sensor. 4: 3, 3: 2, 16: 9, 1: 1 multi-aspect modes taken from 21. 77 Megapixel total count*
  • Leica DC vario-summilux lens - 24-75mm lens [F1. 7-2. 8], with power optical image Stabilizer (O. I. S. ) to effectively compensate for hand shake, minimizing Blur during zoom shooting
  • 4K video & 4K PHOTO - Panasonic's exclusive 4K PHOTO technology uses 30 frames per second in high resolution 4K Ultra HD video to extract them as photos. You'll never miss that moment again
  • Macro shooting - macro photography at 3cm at wide-angle and 30cm at telephoto. Photographs of flowers, plants and more reveal the fine details nearly invisible to the naked eye
  • Camera body viewfinder and display: Compact digital camera with electronic viewfinder EVF [2, 764k-dot], and large 3-inch touch sensitive monitor [1240k-dot]

 

PowerLink 143Wh High-Load Li-Ion

PowerLink 143Wh High-Load Li-Ion

V-Mount Battery w 2x D-Tap and USB
by Idx
Ref # IPL-150

For full specifications of this model of products please visit the IDX site clicking HERE

PRODUCT DETAILS

IPL-150 is the newest stackable battery solution for digital cinema cameras where infinite runtimes are required. With 143Wh capacity, the IPL-150 meets the passenger aircraft carry-on limit and can still provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Monstro all day long if needed. The IPL-150 also includes two on-battery D-Taps and USB outputs to power accessories such as monitors, lights, wireless receivers, tablets, phones, etc. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED.
*Compatible with VL-DT1 for D-Tap charging

KEY FEATURES

Capacity: 143Wh (14.4V/ 9.9Ah)
Max Output Voltage: 16.8V DC
Nominal Voltage: 14.4V DC
Max Discharge Current: 11.3A (14A when linked)‡
D-Tap: 80W each
USB: DC 5.0V /2.3A
End Voltage: 11V
Battery Protection: Reverse charge, Over charge, Over discharge, Over current, Thermal protection
Ambient Temperature: To charge: 32°F ~ 104°F (50°F ~ 86°F recommended)
To discharge: -4°F ~ 113°F (50°F ~ 104°F recommended)
To store: -4°F ~ 122°F (less than 1 month)
Dimensions: 3.5(W) x 4.7(H) x 3.4(D) inches
Weight: 2.14 lbs approx.
‡ may vary depending on the operating temperature
SolidCom C1-2S Full Duplex

SolidCom C1-2S Full Duplex

Wireless Intercom System (2 Headsets included)
by Hollyland
Ref # HOLSOLIDCOMC1-2S

The Hollyland Solidcom C1 full-duplex wireless intercom headset system is Hollyland's first true wireless and self-contained headset communication solution with exceptional sound clarity. The system provides a reliable transmission range up to 1,100ft (350m) radius (LOS) featuring hands-free operation maximizes team productivity.

Each headset is designed with a dual-antenna diversity scheme that reinforces anti-interference capability, guaranteeing secured and constant team communication in complex environments. With no belt pack or base station, it offers a highly portable and hands-free coordinating experience for media production teams or any team looking for real-time non-blocking voice communication in socially distanced working scenarios.


Each single headset weighs only 168g, which is lighter than an iPhone12, offering a comfortable wearing experience for long hours. The headset is exquisitely crafted with PC-ABS materials, guaranteeing outstanding flexibility and durability. Each intercom headset comes with a spare lithium battery for convenient field replacement, keeping systems up and running with minimal downtime.

Supporting a Wideband frequency response from 150Hz to 7KHz and premium AEC (Acoustic Echo Cancellation) performance, the Solidcom C1 intercom headsets ensure authentic and clear audio quality for effective teamwork. Equipped with a directional microphone that captures the speaker's voice precisely while minimizing unwanted noise, the system renders an effortless conversation experience even in noisy environments.

The Hollyland Intercom family also includes the following products (click on the links below for full specifications)

SolidCom C1 Pro

SolidCom M1

Mars T1000

Syscom 1000T

You can find a product comparison table clicking HERE

What is SolidCom C1 ? Check the video

SRH550DJ

SRH550DJ

Professional Quality DJ Headphones
by Shure
Ref # SHUSRH550DJ

For full specifications of this product please visit the SHURE site clicking HERE

PRODUCT DETAILS

SRH550DJ Professional Quality DJ Headphones deliver full-range audio performance with enhanced bass. 

The SRH550DJ Headphones from Shure deliver full-range audio performance, comfort, and durability for DJ use and personal listening.

50 mm Dynamic drivers deliver enhanced bass, while padded ear cups with supra-aural design swivel 90 degrees for flexible wearing positions and full isolation. Includes a carrying bag and a threaded 1/4" (6.3) mm gold-plated adapter.

KEY FEATURES

  • Full-range frequency response with enhanced bass optimized for both DJ mixing and personal listening
  • Closed-back, supra-aural design rests comfortably and securely on the ears with full isolation
  • Adjustable, collapsible headband with 90-degree swivel ear cups for comfort and flexible wearing positions
  • Ultra-lightweight design folds to very small size for maximum portability
  • Legendary Shure quality to withstand the rigors of everyday use
  • Replaceable ear pads ensure long product life
  • Carrying bag protects headphones when on the go or not in use

PTC-150

PTC-150

HD/SD PTZ Video Camera
by Datavideo
Ref # DATPTC150

For complete specifications of this product please visit the Datavideo official site clicking HERE

One-person camera crew

The beauty of multiple PTC-150 cameras is the ability to control all of them from a single control panel. Pair up to 4 cameras with the RMC-180 controller, and you can reduce your camera crew to just... you

BAT50

BAT50

Lithium-Ion Rechargeable Battery
by Clear-Com
Ref # CCOBAT50

For full specifications of this product please visit the Clear-Com site clicking HERE

KEY FEATURES

  • Up to 20 hours of beltpack operation with each charge
  • For BP410 beltpacks and WH410, WH301 and WH220 all-in-one headsets
  • Charge time is 2.5 hours

 

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