For full specifications of this product please visit the INOGENI web site clicking HERE

INOGENI’s 4KX-PLUS Ultra HD to USB 3.0 camera converter with an HDMI loop and external power is the most cost-effective and high-performance professional camera converter for your BYOM applications. It connects your HDMI cameras, video sources and CODECS to your laptop.

• Perfectly compatible with Cisco Webex BYOM applications
• Direct integration with Cisco room equipment (camera, audio and screen)
• Solves interoperability issues
• Optimizes your assets and avoids additional license fees for Cloud Video Interop (CVI) service and user management
• Compatible with Barco ClickShare Conference (CX-20, CX-30 & CX-50)
• Compact and robust camera converter technology
• TAA-compliant

KEY FEATURES

The 4KX-PLUS Ultra HD to USB 3.0 camera converter with an HDMI loop and external power offers an array of features for a smooth and seamless BYOD or BYOM experience:

• HDMI capture to USB 3.0
• Compatible with USB 2.0 (high-quality MJPEG)
• HDMI loop output
• Up to Ultra HD 4K (3840/4096×2160) at 30 fps and 1080p at 60 fps
• HDMI audio support
• Analog audio I/O
• Digital Fluid technology: Internal frame buffers maximize frame rate
• Hardware-based color space and sampling conversion
• Automatic scaling and frame rate conversion (UHD up-scaling not supported)
• Image controls: Brightness, contrast, saturation, and hue settings
• Supports multiple devices on the same PC

HOW IT WORKS

The 4KX-PLUS Ultra HD to USB 3.0 camera converter works with any virtual meeting room software that enables USB cameras and microphones, such as Microsoft Teams, Zoom, Google Meet or BlueJeans.

Requiring no drivers and compatible with Windows, macOS and Linux laptops, the converter resolves all interoperability issues.

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

In high profile broadcast environments operating around the clock, communication by its very nature is critical to success. Proven reliability, capabilities and performance make the professional intercom system an absolute essential for any production.

For private one-to-one, group and conference calls, Trilogy’s Gemini matrix intercom allows productions to simply and quickly initiate, conduct and manage conversations with simple user operations and intuitive configuration controls. The system is ideal for applications requiring cost-effective, entry-level package solution that can scale into a larger communication network.

KEY FEATURES

Highly Scalable

Scale the Gemini matrix intercom system to 64 channels of Digital Signal Process (DSP)-based IP communications support, up to 12 camera channels and an enhanced front panel with alarm features. The Gemini system offers 8 to 32 local ports for panels, analog and digital audio interfaces, and telephony within a single 2RU matrix. Gemini can be expanded to 8 matrices with 256 ports via the dual redundant ring connectivity that provides program quality performance for hundreds of simultaneous conversations with near-zero latency and digital audio network (High Speed Link – HSL).

Flexible Interface Options

Select from a range of interface boards and conventional control panels over CAT5, analog 4-wire audio equipment, analog telephone lines, AES/MADI streams or IP-enabled panels. The optional IP capability allows up to 64 channels of voice to be carried over any standard IP network to other Trilogy matrices. It also carries all inter-matrix messaging and system configuration data. Gemini’s GPI capability allows external control access to an extensive array of audio routing and logic functions.

Gateway Configuration Editor

Gemini system configuration is performed using Trilogy’s Gateway software which provides unrestricted ability for users to build, modify and save multiple databases to suit any operational requirement. Users can set any system parameter to suit their needs and preferences, from changing key assignments, to audio level adjustment, or extensive re-configuration of an entire network. Gateway’s Access Management facility offers role-based administration and security, providing selective control over individual Gemini matrices or the entire communication network. And a browser-based utility gives authorized users remote access to all engineering and maintenance functions.

Extensive Operator Devices

Compatible with the Gemini intercom system is an extensive range of versatile, high-quality operator panels that are highly flexible and intuitive. With choices including dual-action lever key, touchscreen and virtual panels, these control panels are designed and manufactured to meet the demanding standards of production users and assure reliability, flexibility of operation and ease of use.

Products In Family

System Frames

Keypanels

Touchscreen Panels

Interface Boards

Virtual Panels

Software

System Diagram

Gemini features comprehensive integrated IP capabilities together with interfaces to 4-wire circuits, telephony, AES/MADI, IP panels and SIP for analog or IP based solutions. Gemini supports a range of panels including desktop and rack mount lever keypanels, touchscreen button panels, and Virtual panels for smartphones and tablets.

For full specifications of this product and all its variations (models, accessories, etc.), please visit the OBSBOT Tiny site by clicking HERE

PRODUCT DETAILS

Stay Pro, Stay Productive
Maintaining the best-in-class image quality, OBSBOT Tiny 2 Lite has now arrived with a worthy price, industry-advanced AI features, and the brand new productive Preset Modes. Experience a seamless journey in your video calls in portrait or landscape with Tiny 2 Lite; your workflow will be professional and productive like never before.

KEY FEATURES: 

Efficient, Excellent, Artificial Intelligent

AI Auto Tracking with Auto Zoom
After generations of polishing OBSBOT’s deep neural learning network algorithm, Tiny 2 Lite can now track you in real-time with better framing and appropriate automatic zoom effects.  This frees up your hands while adjusting the zoom as desired.

More Accurate Bodypart Tracking
For Tiny 2 Lite, the body part tracking primarily focuses on upper body and close-up. The iterative algorithm in this version offers improved accuracy and smoothness during tracking.

Be Productive with Preset Modes
With the brand new Preset Modes on Tiny 2 Lite, you can now preset the PTZ position and many more parameters! Features like tracking mode, image settings, and Background Blur can be set in advance to enhance your workflow's productivity.

Magical, Efficient Gesture Control 2.0
Use Gesture Control 2.0 to streamline your workflow even from a distance. Three gestures are available for activating AI Auto Tracking and adjusting the Zoom in/out settings.

Professional Video Image
New Webcam Image Standard Settled
Premium 4K Experience. Budget-Friendly Price.
Capture stunning moments in UHD 4K resolution. With up to 4K@30fps and 1080P@60fps, Tiny 2 Lite is an excellent budget choice for capturing vivid details and memorable moments in your everyday life!

Precise, Deft Auto Focus
Tiny 2 Lite utilizes the advanced PDAF (Phase Detection Auto Focus) technology. This allows for a deft and accurate focus process by swiftly detecting the phase and moving the lens immediately to the focus point.

Reliable CMOS for Better Low Light Performance
Tiny 2 Lite's advanced 1/2" CMOS sensor gains amazing image signals and enables an obvious leap in image quality, offering reliable bright-light performance with HDR and low-light performance powered by optimized algorithm.

Your Voice, Focused and Super-clear
Tiny 2 Lite equips a dual-omnidirectional microphone with adjustable noise cancellation. It fits various scenarios for achieving a sound-image synchronized video call experience, as well as a human voice augmentation technology which maintains high-quality sound transmission even in noisy background.

Seamless Video Calls Experiences

Smarten Workflow with Tiny 2 Lite

An Imaginative Tool with Creative Shooting Modes
Rich shooting modes light up your creativity. From shooting in landscape or portrait mode to shooting from an upside-down position, Tiny 2 Lite 1/4' interface gives you the greatest support. Wherever you choose to install it, it ensures clear and pixel-perfect video images.

Get Your Video Call Pro and Protected
Tiny 2 Lite protects your video capture with Sleep Mode 2.0 and other built-in features. In sleep mode, you can select a static image as a shield against leaks.

Simpler. Lighter.Built-in Stand.

Following the design of OBSBOT Tiny 2, the Tiny 2 Lite also embraces minimalism and practicality. With a built-in stand and 2-axis gimbal, your video call experience will be stable for you to unleash more possibilities.

Stream Deck + Tiny 2 Lite=Smooth Workflow

The Tiny 2 Lite is compatible with the Elgato Stream Deck, a production console that enhances the control smoothness of the Tiny 2 Lite without the need for an extra app.

Expand Potential with OBSBOT Center

As one of the most productive control panels in the OBSBOT family, the inner potential of Tiny 2 Lite can be greatly expanded by OBSBOT Center with PTZ control, Beauty Mode, Preset Modes setups, and more features to explore.

Compatibility Makes Workflow Productive

With support for the different tools, Tiny 2 Lite performs an impressive range of uses, which makes it a really productive webcam device for most video platforms you want.

Check this Tiny2 video:

For full specifications of this product please visit the Blackmagic Design site clicking HERE

PRODUCT DETAILS

The DeckLink 4K Extreme 12G is the ultimate digital cinema capture card featuring two full frame DCI 4K inputs and outputs! The multi rate 12G-SDI connections work with SD, HD and Ultra HD all the way up to full frame DCI 4K at 4096 x 2160 resolution at 60 frames per second. DeckLink 4K Extreme 12G supports 10-bit YUV and 8-bit, 10-bit and 12-bit RGB as well as 3D up to DCI 4K at 4096 x 2160 resolution at 60 frames per second.

The DeckLink 4K Extreme 12G includes a new mezzanine card design that adds HDMI in and out on a second daughter card along with sockets for adding 2 optical fiber modules for Dual Link optical fiber SDI in and out. SMPTE compatible optical modules can be added up to 12G-SDI speeds, allowing customers to choose to connect equipment using optical fiber connections instead of regular BNC copper cables for dramatically longer cable length, even at the faster 12 Gb/s speeds.

DeckLink 4K Extreme 12G is perfect for customers working on feature film, commercial, visual FX, and television productions that require high resolution, deep color, stereoscopic 3D and high frame rate support.

DaVinci Resolve 11 customers will benefit from the simultaneous capture and playback support as this lets them capture direct from cameras on set, grade the live video with multiple nodes of correction and then to output the video to an on set monitor, all live and in real time! This makes lighting a film set easy and allows DOP’s, directors and colorists to work together to optimize the film’s look on set.

OEM developers will also like the multiple new features in these models as they greatly benefit customized system development. These new features include full frame genlock timing, closed caption in all bit rates, automatic input detection support, better CRC input checking, extremely low latency and direct GPU support, plus the ability to write pixels directly into the card’s frame buffers and the ability to write their own custom drivers.

DeckLink 4K Extreme 12G includes two 12G-SDI inputs and two 12G-SDI outputs, reference input and RS422 deck control ports for capture and playback of all SD, HD, Ultra HD and DCI 4K formats. The card also includes HDMI input and output, AES/EBU balanced XLR and unbalanced RCA inputs/outputs, and analog video I/O via the included breakout cable.

“In developing the DeckLink 4K Extreme 12G we set out to design a card that just had everything we needed for high end feature film work in DaVinci Resolve, and we said to the engineers, don’t worry about cost, just make it as awesome as you can!” said Grant Petty, CEO, Blackmagic Design. “This new DeckLink 4K Extreme 12G is the result and it’s got everything we could want! But at the same time it’s also compatible with analog equipment from decades ago, all in the single card! Plus it’s still an affordable US$1,495, which is exciting!”

KEY FEATURES

• 2 x 12G-SDI in and out, supports SD, HD up to 1080p60, 2K, Ultra HD and up to DCI 4K at 4096 x 2160 resolution at 60 frames per second.

• HDMI 4K in and out, supports SD and HD formats up to 1080p60.

• Component analog in and out, supports SD and HD formats up to 1080p60, s-video and composite.

• 4 channels of balanced analog audio in and out on jack connectors.

• 2 channel AES/EBU balanced audio in and out on jack connectors.

• Genlock/tri-sync input.

• Sony™ compatible RS-422 deck control.

• Dual optical fiber sockets for adding optical fiber modules, up to 12 Gb/s speeds.

• Supports uncompressed 8, 10 and 12 bit and compressed video capture and playback.

• Plugs into older model MacPro, Windows and Linux computers.

• Supports DaVinci Resolve, Final Cut Pro™, Adobe Premiere Pro™, Photoshop™, After Effects™ and more.

• Includes free developer SDK for Windows, Mac and Linux.
• Includes free Media Express capture and playback software for Windows, Mac and Linux.

For full specifications of this model and all other Hyperdeck family of products please visit Blackmagicdesign site clicking HERE

Professional broadcast decks that record and playback using SD cards and SSD media!

HyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media! The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files! When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units! All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage!

Elegantly Designed Professional Broadcast Deck

The new HyperDeck Studio recorders have been totally redesigned with dozens of new features! The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck! With dual media slots, you can change cards without interrupting recording! The advanced models even include a front headphone connection and speaker!

4 Great HyperDeck Models!

1 - HyperDeck Studio HD Mini

Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out.

2 - HyperDeck Studio HD Plus

Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30.

3 - HyperDeck Studio HD Pro

Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.

4 - HyperDeck Studio 4K Pro (NEW PRODUCT - COMING SOON)

This extremely powerful Ultra HD model records and plays H.264/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.

Perfect for Live Production, Broadcast and Archive

Mastering Recorder

All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters! You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.

ISO Recording

All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events! You can even sync cameras to the SDI output and the SDI input has a frame sync!

Digital Signage

HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control!

Broadcast Archive

HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI!

For full specifications of this product please visit the ROLAND site clicking HERE

PRODUCT DETAILS

As clients and audiences start demanding 4K at events, your current HD sources and displays shouldn’t become obsolete—and the V-600UHD lets you transition to 4K workflows as demand and budgets allow. 
With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions

KEY FEATURES 

High Dynamic Range [HDR]

The V-600UHD uses High Dynamic Range [HDR] so your events look amazing. You don’t just see more pixels, you see better, more dynamic-looking pixels that preserve the details in the darkest and brightest areas of an image. HDR provides well-balanced stage lighting without oversaturation for IMAG (and it’s easier to achieve compared with using SDR.) And SDR dynamic range signals can also be input and switched with the V-600UHD.

Full 60Hz Frame Rate

With full 60Hz framerate support, the V-600UHD delivers a smooth, crisp video image without the blur that’s common when fast motion is displayed at 30Hz refresh rates.

A More Vivid Color Space

The V-600UHD supports Rec.2020, the highest-specification Wide Color Gamut (WCG), as well as RGB and Rec.709 standards to display the widest range of visible colors. This provides an increased level of realism and improved color accuracy, especially for red and yellow color ranges.
10-bit 4:4:4 Pixel-accurate Color
Internal 10-bit Color Depth processing reduces color banding and sharpens high-detail sources from computers. This makes it easier to read small fonts and other fine details, even when drastically scaled and magnified.

Support for DCI Cinema 4K Resolution

Not all 4K content has the same aspect ratio. Although 4K content is always 2160 pixels high, DCI or “Cinema 4K” is 4096 pixels wide, which is 256 pixels wider than UHD. The V-600UHD lets you switch and display content at the originally intended aspect ratio, without cropping or letterboxing

The Right I/O for Your Show

The V-600UHD has four HDMI 2.0 and two 12G SDI inputs, perfect for events needing several computer and video playback sources complete with IMAG camera support. Each input independently supports input and scaling of HD, Full HD, UHD 4K, and DCI 4K, as well as PC resolutions from UXGA to DCI 4K — with no converters needed. AUX destination switching makes it easy to include down-stage confidence monitors, while the configurable multi-view monitor lets you see all your sources, programs and previews — at a glance. Each output also supports downscaling to Full HD for outputting to streaming encoders or other HD-equipped destination displays.

Capture All the Action with a Single 4K Camera

You don’t need multiple cameras for multiple shots. If your production requires a wide shot of the stage, a medium shot of the speaking panel, and close-ups of each speaker, the V-600UHD has you covered with built-in Region of Interest [ROI]. This allows you to point a single 4K camera at the stage and use the V-600UHD’s input sharing and scaling functions to crop out up to eight “camera shots” that you can assign to the V-600UHD’s cross points. Increase your production value without increasing your camera count, complexity or costs.

No Camera Operators Required

“Automatic ROI” is a technology-assisted 4K to HD camera workflow blending facial tracking technology with Roland's multi-shot Region Of Interest. When paired with Canon's XF705/400/405 cameras, two of the V-600UHD's Region Of Interest windows automatically pan, tilt, and zoom to follow two people within the scene, generating dynamically smooth camera shots, no camera operators required. Setup is straightforward, requiring one HDMI cable and one LAN cable

For full specifications of this model and all other ATEM MINI family of products please visit Blackmagicdesign site clicking HERE

Introducing low cost, multi camera, live production with advanced broadcast features.

ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom! Simply connect ATEM Mini and you can switch live up to 8 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro and ATEM Mini Extreme models add live streaming and recording to USB disks. ATEM Mini even has secret broadcast features for high end work!

Faster Video Production plus Live Streaming

Live production is the fastest way to complete a finished program, plus you can stream it to a live global audience via YouTube at the same time. The USB webcam output works with any streaming software while the Pro and Extreme models will directly stream via the internet to popular social media platforms! With up to 8 HDMI inputs, depending on the model, you can set up multiple camera angles such as wide shots and close ups of each person in the performance. Then connect to a computer with a PowerPoint slide show or websites and gaming consoles. All switching is in real time so you can live stream your show to platforms such as YouTube, Facebook, Twitch and many more!

Self Contained Broadcast Quality Switcher

ATEM Mini’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching! You even get buttons for audio mixing! On the ATEM Mini Pro and Extreme models you also get buttons for record and streaming control, as well as output selection buttons that let you change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI "aux" output for program video.

Five Great ATEM Mini Models!



1 - ATEM Mini

ATEM Mini is fast to set up and easy to use. It includes 4 standards converted HDMI inputs, USB webcam out, HDMI out, Fairlight audio mixer with EQ and dynamics, DVE for picture in picture, transition effects, green screen chroma key, 20 stills media pool for titles and free ATEM Software Control.

2 - ATEM Mini Pro

This model includes all the features found in ATEM Mini, plus more! You get recording direct to USB flash disks in H.264 plus direct streaming via the Ethernet to YouTube Live and more. There's also a multiview with 4 cameras, media, preview and program plus status of recording, streaming and audio.

3 - ATEM Mini Extreme

This model is an advanced switcher for true professionals! You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture in picture DVEs, 2 media players, and a multiview with up to 16 views!

2 Powerful ISO Models Record All Inputs for Editing!

4 - ATEM Mini Pro ISO

This model adds all the features of ATEM Mini Pro plus it records 5 H.264 video streams in real time! That's a clean feed of all inputs plus the live program! A DaVinci Resolve project is also saved so you can open your live production to adjust edits, remix audio and add color correction!

5 - ATEM Mini Extreme ISO

This model includes all the features of ATEM Mini Extreme, plus also records 9 separate H.264 video streams in real time, allowing capture of all 8 clean feed inputs as well as the program video. A DaVinci Resolve project file is also saved allowing the project to be recreated and edited later!

For complete specifications of this product please visit the Sony professional home page clicking HERE

PRODUCT DETAILS

World's first 4K Handheld Camcorder with 1/2-type 3CMOS with 4K 50p/60p recording capability, 12G-SDI, Dual Link Cellular capability, 17x zoom lens, advanced Face Detection AF.

World-leading handheld 4K HDR performance

Revolutionary networking capabilities

The complete package for professionals

17x professional HD zoom lens with three independent rings with end-stop and large focal length

HDR/SDR dual production support*

PRODUCT DETAILS:

Combining a high-performance processor with the same full-frame 3:2 CMOS image sensor found in the MAVO Edge 6K, the MAVO mark2 6K LF Digital Cinema Camera from Kinefinity offers high 6K frame rates up to 96 fps, detailed highlights, organic images, and outstanding low-light performance with dual native 800/5120 ISOs. Use the included, adaptable KineMOUNT and separately available adapters to provide compatibility with EF, PL, and LPL mounts and Kinefinity's new active PL and Sony E-mount adapters.

MAVO mark2 adopts the MAVO Edge high-performance computing platform, integrates industry standard ports like independent dual SDI outputs with meta data and encodes stunning images as Apple ProRes4444/XQ footage onto NVMe M.2 2280 SSD. Coming in the lightweight compact camera body with the streamlined workflow, MAVO mark2 S35 and MAVO mark2 LF provide more cinematographers with a professional and efficient filmmaking experience at a more affordable price.

Back to classic S35 image format, MAVO mark2 S35 is designed to cater to use S35 glass, widely available, more styles even more affordable than full frame counterparts.

Building on the advanced computing platform, the new camera configures a new S35 3:2 CMOS imaging sensor which allows users to capture up to 6K Wide 96fps, 4K Wide 150fps. The new sensor also features dual native ISO 800/3200 like MAVO Edge 8K, that means the images from the new camera much less noise than previous generation. MAVO mark2 S35 with new S35 sensor on advanced platform offers cleaner shadows, better highlight details, wide latitude to 14 stops and higher frame rate no matter low light conditions or studio shooting.

The MAVO mark2 LF continues to feature the remarkable 6K full frame 3:2 CMOS imaging sensor from the popular MAVO Edge 6K, maintaining high frame rate of up to 75fps at 6K Wide, 150fps at 4K Wide and amazing dual native ISO 5120/800. The industry-standard ISO 800 is regular for shooting in normal light scenes, while the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. Compared to MAVO LF, MAVO mark2 is capable to retain more highlight details, ideal for shooting in complex lighting environments, presenting organic images and cinematic look.

MAVO mark2 offers more comprehensive lens options by introduction of new mount, embracing the broader and more modern lenses with its interchangeable mount design. It can work smoothly with virtually all cine PL/LPL lens, DLSR EF lens and modern E mount lens, capturing images with more diversified styles.

Native KineMOUNT: The first cinema camera KineRAW-S35 launched by KINEFINITY in 2012 was equipped with the short flange distance native KineMOUNT. KineMOUNT is very convenient for switching mount adapters including EF, PL and LPL adapters without tools.

In addition to keeping the exclusive native KineMOUNT, MAVO mark2 provides two new lens mounts: the Active PL Mount and Active E Mount. Users can install and detach the active mounts without extra flange distance calibration. 

Active PL Mount: The reliable cine-style locking mechnism enables the active PL mount to connect the lens with the camera toughly. It supports the Cooke/i protocol, and can saves them into the clip, bringing intuitive interaction on set and flexibility in post.

Active E Mount: MAVO mark2 with the Active E Mount can support most of modern and lightweight E lenses instantly. It allows users to tune the iris, focal length and focus of these electronic E lenses in camera control or manually, also the lens optical stabilization can be activated if the lens has the option.

Apple ProRes4444 Recording

MAVO mark2 has the powerful capability of directly recording high-quality clips in camera from Apple ProRes 422 LT to ProRes 4444XQ. The advanced architecture allows the MAVO mark2 to record ProRes4444XQ format and and records Kine LOG3 Gamma to preserve all the dynamic range data captured by its CMOS image sensor,  achieving fast post-production workflow.

Safe and Flexible Recording Media

The SSD slot of MAVO mark2 is based on PCIe, and the recommended recording media is the proprietary KineMAG Nano 1TB/2TB based on NVMe M.2 2280 SSD. KineMAG Nano SSD has two superior safety features: Read-only and RAID 5. It improves the safeness of the KineMAG Nano while copying or writing to the SSD at blazing fast speed in camera. With a universal USB-C port, KineMAG Nano allows offloading data to the workstation at a speed of up to 10Gbps.

Integrated Body Design: MAVO mark2 inherits the integrated body design of MAVO Edge camera which has won the prestigious iF DESIGN AWARD 2021. The compact camera body only weighs 1.35kg(2.98lbs), equipping with a host of general control ports, dual SDI outputs embedded metadata and audio, and high-quality multi-channel audio recording.

Comprehensive Power Solution: The MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports 14.8V V-mount batteries like KineBAT PD 75w/150w. It also supports BP-U type batteries like GripBAT 4S to meet the power demand of complicated camera setups that require a light build. With the addition of Movcam’s cage, the KineKit-Edge, NP-F550 type batteries like GripBAT 2S can support an Uninterruptible power supply to the camera via the UPS Baseplate.

PRODUCT SPECIFICATIONS:

For complete product information click HERE

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

The ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors.

The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity. Easy operation, robust build quality, new accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

KEY FEATURES

More dynamic range, contrast, and sensitivity

ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects.

With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35 is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before.

REVEAL Color Science

ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Color Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new color engine for more accurate color reproduction, a new wide gamut color space for faster grading, new LogC4 encoding to contain the increased dynamic range, and new LogC4 LUTs (Look Up Tables) for improved color fidelity.

While bringing out the best of the ALEXA 35’s new sensor, REVEAL Color Science is also backwards compatible. ARRIRAW footage captured by ALEXA LF and Mini LF cameras can be processed with REVEAL Color Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post.

Enhanced creative control

With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.

ARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock.  

Easy operation and new accessory range

ALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Color Match, pre-recording capability, and a slew of usability improvements such as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine.

ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera’s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any shooting situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration.

ALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of-charge standalone apps like the iPhone/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder.

Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates inmind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.

To learn more about ALEXA 35, visit www.arri.com/alexa35