Professional 4K PTZ camera designed for broadcast, corporate, and house of worship environments. The BRC-X400 is a "Broadcast" workhorse built for versatility and extreme zoom range.

Key Specifications:

• Sensor: 1/2.5-type Exmor R CMOS (significantly smaller than the FR7’s full-frame sensor).
• Resolution: 4K (3840 x 2160) up to 30p; Full HD up to 60p.
• Zoom: 20x Optical zoom, extendable to 80x in Full HD (30x in 4K) using Sony’s Clear Image Zoom.
• Field of View: Expansive 70° wide-angle (great for covering large rooms from a corner).
• Connectivity: 3G-SDI, HDMI, and IP (Ethernet).
• Streaming Protocols: Supports NDI|HX (with a separate license), RTSP, RTMP(S), and SRT.
• Power: Can be powered via PoE+ (Power over Ethernet), reducing cable clutter.

Features:

• Genlock Support: Essential for multi-camera live switching to ensure all cameras are perfectly synced.
• Scene Files: You can copy settings (color, gamma, etc.) from one camera to others in your network via a web interface, making setup for a 5-camera shoot very fast.
• AI Auto-Framing: Many users now pair this with Sony's Edge Analytics units or firmware updates for automated tracking of speakers.
  
  View complete specifications here: https://pro.sony/ue_US/products/ptz-network-cameras/brc-x400

For full specifications of this model of products please visit the Sennheiser site clicking HERE

PRODUCT DETAILS

The MKE 400 Mobile Kit combines portability and performance for the ultimate vlogging experience. Upgrade your audio and your video with these three essential tools.

The MKE 400 is a compact shotgun microphone that provides focus and detail for your recordings. An integrated windscreen and internal shock mount help to prevent handling and wind noise while the provided 3.5 mm TRS and TRRS cables allow for compatibility with DSLR/M cameras and mobile devices.

The Smartphone Clamp is made from solid aluminum and features soft rubber grips that provide a secure fit for nearly all mobile phones. A 180-degree locking dial allows for portrait or landscape positioning so you can switch from one aspect ratio to another with ease.

The Manfrotto PIXI is a durably constructed lightweight, mini tripod. The PIXI features a ball head with a push-button locking mechanism that enables you to position and lock the ball head in one fluid, intuitive motion. Rubber feet ensure a slip-free grip on most surfaces and collapsible legs allow for convenient handheld vlogging that adds stability to your videos.

For creators that are looking for a great mobile solution, the MKE 400 Mobile Kit provides the right set of tools to elevate your content.

Designed to travel

Compact and convenient, the essentials in this kit are everyday companions for the creator on the move. The Smartphone Clamp and Manfrotto PIXI allow for a fast and stable set-up while the MKE 400 enhances your audio in any environment. Small enough for pockets and pouches, the MKE 400 Mobile Kit is designed to go everywhere you go.

KEY FEATURES

• Mobile Kit ideal for vloggers and content creators on the move

• MKE 400 microphone features integrated windscreen and shock mount

• Smartphone Clamp with cold shoe mount offers portrait or landscape orientation

• Manfrotto PIXI Mini Tripod features push-button locking ball head for desired placement

• Durably constructed components built to withstand daily use

For full specifications of this model of products please visit the Sennheiser site clicking HERE

PRODUCT DETAILS
The MKE 400 is a compact, highly directional on-camera shotgun microphone designed to isolate and enhance the audio for your video. Like the MKE 200, the MKE 400 includes built-in wind protection and integrated shock absorption, while offering even more features to ensure the best possible recordings.

A three-step sensitivity switch enables the MKE 400 the ability to provide distortion free sound in any environment, and a switchable low-cut filter focuses your audio on the most essential frequencies for clarity and speech intelligibility. Interchangeable, 3.5 mm locking coiled cables offer compatibility with DSLR/M cameras or mobile devices and a convenient headphone output allows you to monitor your levels while recording.

Highly Directional Sound Pickup

KEY FEATURES

Along with its redesigned appearance, the second-generation MKE 400 boasts significant upgrades over the original MKE 400 to make it even more effective and versatile.

• Swappable 3.5mm TRS and TRRS output cables
• 3.5mm headphone port with volume control
• 3-stage gain control (the original MKE 400 had two gain positions)
• Auto-power function
• Integrated wind protection
• Furry windshield included for outdoor wind protection
• Compatible with Sennheiser's CL 35 USB-C cable (available separately) for direct digital connection to a mobile device's USB Type-C port

PRODUCT DETAILS:

The MAVO Edge 6K Cyber Edition is a powerful new full-frame cinema camera with a body made from RAW steel. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.

The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.

The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. 

MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.

From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.

The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.

The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.

From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.

The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.

The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.

Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.

In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.

The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.

MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.

The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.

Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. 

MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. 

Whether small creation or large production can be handled easily with MAVO Edge 6K. 

PRODUCT SPECIFICATIONS: 

CMOS IMAGING SENSOR: 6K 3:2 Full Frame CMOS Imaging Sensor

Max Record Res: 6016×3984 (Open gate 3:2), 24M

Frame Rate:  0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide

Active Area: 36x24mm, ø 43.3mm

Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)

Latitude: >14 stops

Shutter Angle: 0.7°~358° with rolling shutter

Lens Mount: Omni Native KineMOUNT, Short FFD Adapters: PL/LPL/Active EF/passive E

Optical Filter: OLPF with UV and IR-cut filter

ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4

CODECS, LUT

Record Codec

LUT

Record Media

KineLOG3, Neutral(Rec 709), Support Custom 3D LUT

Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)

KineMAG Nano Size

1.6×3.5×0.35”/40x88x9mm (WxHxL)

RESOLUTION, FRAME RATE and OPTICAL FORMAT

Full Frame

S35

Other Cropping

MONITORING

Proprietary Video Port x2

SDI x2

For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen

3G/1.5G SDI x2 with Meta data (regular BNC)

AUDIO IN AND OUT

Linear PCM, 24bits, 48KHz

Built-in Mono Microphone

3.5mm Microphone Jack

48V Phantom-power Balanced Input x2 (regular XLR)

3.5mm Headphone Jack

Wireless & Network

Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer

WIFI 5 for live stream, camera control

3-axis accelerometer

SYNC AND CONTROL

Linear TC In&Out (0B5P)

Lens with RS232, Power output (0B6P)

SYNC with RS232 and Kinefinity camera sync(0B7P)

Rec trigger input with Power output (fisher 3P)

Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)

Type-C USB x1, can be used for firmware updates and importing custom LUTs

POWER IN AND OUT

29W, when 6K HD 25p, liveview

Integrated V-mount battery plate, V-mount battery or BP-U compatible

DC Input (1B2P), 11~26V

UPS EXT 3(for pogo-pin, 2×5 contacts)

D-tap x1, Vbat @3A; Vbat as DC in or BAT in

RS x1, Vbat @3A (Shared with D-tap)

Lens x1, Vbat @3A

CONSTRUCTION AND SIZE

Ultra-high Strength Aircraft Aluminium

3.5lb/1.6kg

4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)

0°C ~ 40°C

For full specifications of this model and all other Pocket Cameras please visit Blackmagicdesign site clicking HERE

The Blackmagic Pocket Cinema Camera 6K features a Super 35 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD/UHS-II or CFast 2.0 recorders for Blackmagic RAW or ProRes recording as well as a USB-C expansion port for recording externally to disks, plus EF lens mount, built-in microphones, XLR input, full sized HDMI, 3D LUT support, Bluetooth and more.

Camera Features

Sony's ground-breaking PXW-Z450 combines 4K resolution (3,840 x 2,160) with superbly balanced shoulder-mount ergonomics and a versatile 2/3-inch B4 lens mount. It's a robust, high performance acquisition tool for 4K and HD news, documentaries, live events, and general field production.

The PXW-Z450 records 4K QFHD (3,840 x 2,160) at 50p/59.94p, with 4K Slow and Quick motion up to 59.94p*, as well as a variety of HD formats including XAVC Intra, XAVC Long GOP, MPEG HD 422, and MPEG HD 420. The Z450 can not only record and output SDR, but also HDR pictures as Hybrid Log Gamma (HLG) and S-Log3 with BT.2020 color space*.

Thanks to a specially developed 4K 2/3-type Exmor R CMOS sensor, the PXW-Z450 allows you to use a wide range of commercially available B4 mount lenses without having to use an adaptor. The PXW-Z450 offers the same advanced features as the PXW-X400 Full HD camcorder, with exceptional weight balance and low power consumption, alongside excellent networking features.

The PXW-Z450 is available on its own (PXW-Z450) or with 4K lens, OLED Viewfinder and shotgun microphone (PXW-Z450KC).

4K HDR / HD SDR simultaneous recording

The Z450 can record both 4K HDR and HD SDR simultaneously to support high speed workflows.* No need to spend time converting 4K HDR clips to HD SDR to get on-air quickly.

Advanced picture monitoring*

To make HDR production easier, picture quality can be monitored with BT.709 imagery in the viewfinder while shooting S-Log3 or HLG, while a high quality Focus Magnifier picture can be made from the 4K resolution image.

Versatile B4 ENG lens options

Thanks to a versatile 2/3-type native sensor and B4 lens mount, this camcorder allows you to install a variety of B4 ENG lenses including either 4K or HD. This flexible lens options supports a variety of shooting applications while saving cost.

Low power and ergonomic design

Z450 power consumption is as low as 24W in normal operation (XAVC recording with color LCD on), extending recording times, while an ergonomically balanced weight distribution eases operator fatigue and enhances stable shooting.

Excellent connectivity and wireless functions [online]

The PXW-Z450 enables robust, high-speed ENG/EFP workflows with high resolution clip or proxy clip transfer via a Wired/Wireless LAN or a 4G/LTE connection. The camcorder can also stream HD video to a receiver even when shooting in 4K.

Easily connect to the cloud

C3 Portal* can upload high-res/proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. Production teams can even start logging clips while shooting is still going on, saving even more valuable time when a story's breaking.

*C3 portal is only available in specific countries. C3 portal supported functions vary depending on the camcorder.

PXW-Z450KC – 18X Portable 4K Lens Kit Model

This cost-effective 4K shoulder camcorder kit includes the camcorder itself, plus HDVF-EL20 OLED color view finder, shotgun microphone, and a lightweight 3.79-lb 4K 18X Canon portable lens. The lens has a focal length of 7.6–137 mm, support for ALAC (Auto Lens Aberration Compensation) and its dimensions are (W x H x L) 6.3 x 4.1 x 8.1 in. (160.5 x 105 x 206.2 mm) Digital extender and focus-servo features are not supported.

* Version 3.0 firmware upgrade required.

View complete specs here: https://pro.sony/ue_US/products/shoulder-camcorders/pxw-z450

The new Hollyland Mars 4K wireless video transmission system is capable of a 450ft (150m) LOS range and ultra-low latency of 0.06s. The Mars 4K is designed to combine high performance and reliable quality at an affordable price.

Supports 4K UHD video transmission at 30fps for the discerning videographer looking for high-resolution production capability.

For full specifications of this product please visit the SONY site clicking HERE

PRODUCT DETAILS

Sony’s range of professional headphones are engineered for a combination of strength, comfort and practicality, and are used daily in broadcast & recording studios worldwide.

The MDR-7506 professional headphones come complete with protective carry pouch and gold-plated UnimatchTM 3.5mm/6.3mm adaptor.

KEY FEATURES

For full specifications of this product please visit the ROLAND site clicking HERE

PRODUCT DETAILS

As clients and audiences start demanding 4K at events, your current HD sources and displays shouldn’t become obsolete—and the V-600UHD lets you transition to 4K workflows as demand and budgets allow. 
With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions

KEY FEATURES 

High Dynamic Range [HDR]

The V-600UHD uses High Dynamic Range [HDR] so your events look amazing. You don’t just see more pixels, you see better, more dynamic-looking pixels that preserve the details in the darkest and brightest areas of an image. HDR provides well-balanced stage lighting without oversaturation for IMAG (and it’s easier to achieve compared with using SDR.) And SDR dynamic range signals can also be input and switched with the V-600UHD.

Full 60Hz Frame Rate

With full 60Hz framerate support, the V-600UHD delivers a smooth, crisp video image without the blur that’s common when fast motion is displayed at 30Hz refresh rates.

A More Vivid Color Space

The V-600UHD supports Rec.2020, the highest-specification Wide Color Gamut (WCG), as well as RGB and Rec.709 standards to display the widest range of visible colors. This provides an increased level of realism and improved color accuracy, especially for red and yellow color ranges.
10-bit 4:4:4 Pixel-accurate Color
Internal 10-bit Color Depth processing reduces color banding and sharpens high-detail sources from computers. This makes it easier to read small fonts and other fine details, even when drastically scaled and magnified.

Support for DCI Cinema 4K Resolution

Not all 4K content has the same aspect ratio. Although 4K content is always 2160 pixels high, DCI or “Cinema 4K” is 4096 pixels wide, which is 256 pixels wider than UHD. The V-600UHD lets you switch and display content at the originally intended aspect ratio, without cropping or letterboxing

The Right I/O for Your Show

The V-600UHD has four HDMI 2.0 and two 12G SDI inputs, perfect for events needing several computer and video playback sources complete with IMAG camera support. Each input independently supports input and scaling of HD, Full HD, UHD 4K, and DCI 4K, as well as PC resolutions from UXGA to DCI 4K — with no converters needed. AUX destination switching makes it easy to include down-stage confidence monitors, while the configurable multi-view monitor lets you see all your sources, programs and previews — at a glance. Each output also supports downscaling to Full HD for outputting to streaming encoders or other HD-equipped destination displays.

Capture All the Action with a Single 4K Camera

You don’t need multiple cameras for multiple shots. If your production requires a wide shot of the stage, a medium shot of the speaking panel, and close-ups of each speaker, the V-600UHD has you covered with built-in Region of Interest [ROI]. This allows you to point a single 4K camera at the stage and use the V-600UHD’s input sharing and scaling functions to crop out up to eight “camera shots” that you can assign to the V-600UHD’s cross points. Increase your production value without increasing your camera count, complexity or costs.

No Camera Operators Required

“Automatic ROI” is a technology-assisted 4K to HD camera workflow blending facial tracking technology with Roland's multi-shot Region Of Interest. When paired with Canon's XF705/400/405 cameras, two of the V-600UHD's Region Of Interest windows automatically pan, tilt, and zoom to follow two people within the scene, generating dynamically smooth camera shots, no camera operators required. Setup is straightforward, requiring one HDMI cable and one LAN cable

For full specifications of this product please visit the Blackmagic Design site clicking HERE

PRODUCT DETAILS

Designed as the perfect studio camera for ATEM Mini, this model has a 4K sensor up to 25,600 ISO, MFT lens mount, HDMI out, 7" LCD with sunshade, built-in color correction and recording to USB disks. 

The Blackmagic Studio Camera 4K Plus has been specifically designed as the perfect camera for ATEM Mini. It's the same high quality broadcast camera, but the HDMI centric design removes all the expensive broadcast connections so it's much lower cost. The HDMI is incredibly powerful as it connects video to the ATEM Mini, while at the same time camera control, tally and the remote record trigger is sent to the camera using the same HDMI connection. That makes it very fast to set up for a job. 

Introducing the world’s most advanced self-contained studio camera! Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus, with digital film camera dynamic range and color science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in color corrector, Blackmagic RAW recording to USB disks and much more! You can even add a focus and zoom demand for lens control! 

KEY FEATURES

Designed for Live Production 

While Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher! That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod! The large 7" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings! The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work. 

Revolutionary Studio Camera Design 

Large broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup! 

Exceptional Low Light Performance 

In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control. 

Get Cinematic Images in Live Production! 

The amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, all models support from 23.98 fps up to 60 fps. 

Affordable Photographic Lenses! 

With the popular MFT lens mount, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera! This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod! It gives you the same feel as an expensive B4 broadcast lens! 

Frame Shots with Large 7" Viewfinder 

The large 7" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features a HDR display with extremely high brightness, perfect outdoors in sunlight! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder! 

Physical and Touchscreen Controls 

Blackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. 

Built-in Tally for On Air Status 

Blackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away! The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster. 

Powerful Broadcast Connections 

Blackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI with tally, camera control and record trigger, so are perfect for ATEM Mini switchers! You also get headphone and mic connections, and 2 USB-C expansion ports. 

Four Ways to Connect 

Blackmagic Studio Cameras can be connected in lots of different ways! All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. 

Get Low Cost Camera Control via SDI 

All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots. 

USB Expansion Port for Accessories 

The Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control. Plus the USB port will power any phone or disk that’s plugged in! 

Incredible Blackmagic RAW Quality 

Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance! 

Includes Built-in Microphones 

Blackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions! With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. 

Monitor Program Video 

The Blackmagic Studio Camera lets you view program video from the switcher at the press of a button! Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert. 

Powered by Blackmagic OS 

With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more! 

Supports 3D LUTs for Film Looks! 

When Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it. 

Localized in 11 Popular Languages 

The Blackmagic Studio Cameras are designed to be used worldwide so they support 11 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like! 

Powers from DC or 10G Ethernet 

Blackmagic Studio Cameras have lots of different power options! All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries