For full specifications of this model of products please visit the Panasonic site clicking HERE
The X1500 is a small lightweight 4K 60p professional video camera. Offering the on-site mobility and portability demanded by professionals, it enables high-quality 4K 60p recording.
Achieving high-spec optical performance with a wide-angle 25mm*2 lens and 32x i. ZOOM (4K recording), Panasonic's exclusive high-precision AF provides high-speed, accurate focusing for both 4K and Full-HD shooting.
KEY FEATURES
[PRO FEATURES] Manual rings, ND filters, and 24-bit high resolution linear PCM audio recording, 4: 2: 2 10-bit internal recording, double SD card slots
[WIFI LIVE STREAMING] HD live streaming supported by built-in Wi-Fi
[4K RECORDING] 4K 60p recording in a small and light body with a heat-dispersing design
[LEICA DICOMAR LENS] Wide-angle 25mm 24x optical zoom with 5-Axis Hybrid O. I. S (Optical Image Stabilization) and high-speed and focusing.
[DISPLAY / LVF] The 3. 5-inch monitor (2, 760K-dots) with electrostatic touch panel, plus up/down tiltable viewfinder (1, 555K-dot). Simultaneous LCD output is available.
For full specifications of this model of products please visit the Panasonic site clicking HERE
PRODUCT DETAILS
The X2000 professional video camera enables high-quality 4K 60p recording. A wide-angle 25mm lens and 32x i. ZOOM (4K recording), Panasonic's exclusive high-precision AF provides high-speed, accurate focusing for both 4K and Full-HD shooting. X2000 is packed with professional functions, such as 3G SDI Output Two Manual Rings, an ND Filter, a Built-in LED Video Light, and 24-bit High Resolution Linear PCM Audio Recording.
KEY FEATURES
[PRO FEATURES] WiFi live streaming, manual rings, ND filters, built-in LED video light, and 24-bit high resolution linear PCM audio recording, 4: 2: 2 10-bit internal recording, double SD card slots
[VW-HU1 HANDLE] Includes a detachable handle equipped with a 2-channel XLR Audio Input, audio control, and LED light. Also operates zoom.
[4K RECORDING] 4K 60p recording in a small and light body with a heat-dispersing design
[LEICA DICOMAR LENS] Wide-angle 25mm 24x optical zoom with 5-Axis Hybrid O. I. S (Optical Image Stabilization) and high-speed and focusing.
[DISPLAY / LVF] The 3. 5-inch monitor (2, 760K-dots) with electrostatic touch panel, plus up/down tiltable viewfinder (1, 555K-dot). Simultaneous LCD output is available.
PRODUCT DETAILS:
The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.
The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.
The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.
MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.
From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.
The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.
The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.
From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.
The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.
The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.
Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.
In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.
The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.
MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.
The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.
Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.
MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.
Whether small creation or large production can be handled easily with MAVO Edge 6K.
CMOS IMAGING SENSOR
6K 3:2 Full Frame CMOS Imaging Sensor
Max Record Resolution: 6016×3984 (Open gate 3:2), 24M
Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K
Active Area: Wide 36x24mm, ø 43.3mm
Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)
Latitude: >14 stops
Shutter Angle: 0.7°~358° with rolling shutter
Lens Mount: Omni Native KineMOUNT,
Short FFD Adapters: PL/LPL/Active EF/passive EOLPF with UV and IR-cut filter
ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4
CODECS, LUT
Record Codec
Codec Type |
Codec Format |
Bit Depth |
Notes |
Uncompressed RAW |
dng |
12bits |
RAW resolution frame rate will be updated in subsequent firmware versions of MAVO Edge 6K |
ProRes4444XQ |
Quicktime mov |
12bits |
KineLOG3 |
ProRes4444 |
Quicktime mov |
12bits |
KineLOG3 |
ProRes422HQ |
Quicktime mov |
10bits |
KineLOG3,ProRes422/LT included |
LUT
Record Media
KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)
KineMAG Nano Size
1.6×3.5×0.35”/40x88x9mm (WxHxL)
RESOLUTION, FRAME RATE and OPTICAL FORMAT
Full Frame
Resolution |
Frame Rate |
Codec |
Optical Format |
FF 6K OG |
6016×3984, 0.2~48fps |
ProRes |
36x24mm, ø 43.3mm |
FF 6K 17:9 |
6016×3172, 0.2~60fps |
ProRes |
36×19.1mm, ø 41.0mm |
FF 6K 2.4:1 |
6016×2520, 0.2~75fps |
ProRes |
36×15.2mm, ø 39.1mm |
FF 5.7K 3:2 |
5760×3700, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
FF 6K UHD |
5760×3240, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
FF 5.7K 2.4:1 |
5760×2400, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
FF 5K 4:3 |
5120×3700, 0.2~50fps |
ProRes |
30.6×22.3mm, ø 37.9mm |
FF 5K DCI |
5120×2700, 0.2~70fps |
ProRes |
30.6×16.2mm, ø 34.6mm |
FF 5K 2.4:1 |
5120×2160, 0.2~86fps |
ProRes |
30.6×12.9mm, ø 33.2mm |
FF 4.6K 6:5 |
4608×3700, 0.2~50fps |
ProRes |
27.6×22.3mm, ø 35.5mm |
FF 3.8K 3:2 (Oversample) |
3840×2460, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
FF 4K UHD (Oversample) |
3840×2160, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
FF 3.8K 2.4:1 (Oversample) |
3840×1600, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
FF 3.4K 4:3 (Oversample) |
3456×2460, 0.2~50fps |
ProRes |
31.0×22.1mm, ø 38.1mm |
FF 3K 6:5 (Oversample) |
3072×2460, 0.2~50fps |
ProRes |
27.6×22.1mm, ø 35.3mm |
S35
Resolution |
Frame Rate |
Codec |
Optical Format |
S35 4K 3:2 |
4096×2700, 0.2~70fps |
ProRes |
24.5×16.1mm, ø 29.3mm |
S35 4K DCI |
4096×2160, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
S35 4K 2.4:1 |
4096×1720, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
S35 4K UHD |
3840×2160, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
S35 3.8K 2.4:1 |
3840×1600, 0.2~150fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
S35 3.6K 4:3 |
3712×2700, 0.2~70fps |
ProRes |
22.2×16.1mm, ø 27.4mm |
S35 3.2K 6:5 |
3328×2700, 0.2~70fps |
ProRes |
19.9×16.1mm, ø 25.6mm |
S35 2.7K 1:1 |
2688×2688, 0.2~70fps |
ProRes |
16.1×16.1mm, ø 22.8mm |
S35 2K DCI (Oversample) |
2048×1080, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
S35 2K 2.4:1 (Oversample) |
2048×860, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
S35 2K FHD (Oversample) |
1920×1080, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
S35 1.9K 2.4:1 (Oversample) |
1920×800, 0.2~140fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
Other Cropping
Resolution |
Frame Rate |
Codec |
Optical Format |
3K DCI |
3072×1620, 0.2~144fps |
ProRes |
|
3K 2.4:1 |
3072×1200, 0.2~195fps |
ProRes |
|
3K HD |
2944×1620, 0.2~145fps |
ProRes |
|
3K HD 2.4:1 |
2944×1200, 0.2~195fps |
ProRes |
|
2K DCI |
2048×1080, 0.2~200fps |
ProRes |
|
2K 2.4:1 |
2048×860, 0.2~270fps |
ProRes |
|
2K FHD |
1920×1080, 0.2~220fps |
ProRes |
|
1.9K 2.4:1 |
1920×800, 0.2~290fps |
ProRes |
|
MONITORING
Proprietary Video Port x2
SDI x2
For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
3G/1.5G SDI x2 with Meta data (regular BNC)
AUDIO IN AND OUT
Linear PCM, 24bits, 48KHz
Built-in Mono Microphone
3.5mm Microphone Jack
48V Phantom-power Balanced Input x2 (regular XLR)
3.5mm Headphone Jack
Wireless & Network
Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
WIFI 5 for live stream, camera control
3-axis accelerometer
SYNC AND CONTROL
Linear TC In&Out (0B5P)
Lens with RS232, Power output (0B6P)
SYNC with RS232 and Kinefinity camera sync(0B7P)
Rec trigger input with Power output (fisher 3P)
Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)
Type-C USB x1, can be used for firmware updates and importing custom LUTs
POWER IN AND OUT
29W, when 6K HD 25p, liveview
Integrated V-mount battery plate, V-mount battery or BP-U compatible
DC Input (1B2P), 11~26V
UPS EXT 3(for pogo-pin, 2×5 contacts)
D-tap x1, Vbat @3A; Vbat as DC in or BAT in
RS x1, Vbat @3A (Shared with D-tap)
Lens x1, Vbat @3A
CONSTRUCTION AND SIZE
Ultra-high Strength Aircraft Aluminium
3.5lb/1.6kg
4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)
0°C ~ 40°C
PRODUCT DETAILS
The MAVO Edge 8K is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes4444/XQ up to 8K to the MAVO Edge as an in-camera codec to make the workflow easier.
The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically.
MAVO Edge can directly record Apple’s ProRes4444/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. Aside from this, MAVO Edge also supports in-camera ProRes4444/XQ and ProRes422HQ.
Recognized by Hollywood’s filmmaking industry, ProRes is an universal intermediate codec led by Apple Inc., delivers the flexibility of video with the incredible performance of ProRes in a format ideal for high-dynamic-range (HDR) content creation. For now, ProRes can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on.
The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution.
MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports: dual XLR ports for Phantom-powered 48V MIC, dual 1.5G/3G-SDI monitoring outputs with metadata and audio embedded, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port, and 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly.
New-designed KineKIT Edge includes innovative baseplate, more compact EVF bracket, much stable Top Handgrip and new Side Support, which are flexible for MAVO Edge to use in different scenarios.
Movcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. New-designed KineKIT from Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for MAVO Edge.
SPECIFICATIONS:
For full product specifications click HERE
Imaging Sensor |
8K 3:2 Full Frame CMOS Imaging Sensor |
Max Record Res |
8192x5288, 44.7M Pixels |
Active Area |
36x24mm, ø 43.3mm |
Dual Base ISO |
Regular Base ISO: 640 (from 250~800) |
High Base ISO: 2560 (from 800 to 16000) |
|
Latitude |
>14 stops |
Shutter Angle |
0.7°~358° with rolling shutter |
Lens Mount |
Native KineMOUNT with Short FFD Adapters: PL/LPL/Active EF/passive E |
Optical Filter |
Replaceable OLPF with UV and IR-cut filter |
ND Filter |
Built-in motorized: Clear and e-ND from 0.6 to 2.1 |
PRODUCT DETAILS:
Combining a high-performance processor with the same full-frame 3:2 CMOS image sensor found in the MAVO Edge 6K, the MAVO mark2 6K LF Digital Cinema Camera from Kinefinity offers high 6K frame rates up to 96 fps, detailed highlights, organic images, and outstanding low-light performance with dual native 800/5120 ISOs. Use the included, adaptable KineMOUNT and separately available adapters to provide compatibility with EF, PL, and LPL mounts and Kinefinity's new active PL and Sony E-mount adapters.
MAVO mark2 adopts the MAVO Edge high-performance computing platform, integrates industry standard ports like independent dual SDI outputs with meta data and encodes stunning images as Apple ProRes4444/XQ footage onto NVMe M.2 2280 SSD. Coming in the lightweight compact camera body with the streamlined workflow, MAVO mark2 S35 and MAVO mark2 LF provide more cinematographers with a professional and efficient filmmaking experience at a more affordable price.
Back to classic S35 image format, MAVO mark2 S35 is designed to cater to use S35 glass, widely available, more styles even more affordable than full frame counterparts.
Building on the advanced computing platform, the new camera configures a new S35 3:2 CMOS imaging sensor which allows users to capture up to 6K Wide 96fps, 4K Wide 150fps. The new sensor also features dual native ISO 800/3200 like MAVO Edge 8K, that means the images from the new camera much less noise than previous generation. MAVO mark2 S35 with new S35 sensor on advanced platform offers cleaner shadows, better highlight details, wide latitude to 14 stops and higher frame rate no matter low light conditions or studio shooting.
The MAVO mark2 LF continues to feature the remarkable 6K full frame 3:2 CMOS imaging sensor from the popular MAVO Edge 6K, maintaining high frame rate of up to 75fps at 6K Wide, 150fps at 4K Wide and amazing dual native ISO 5120/800. The industry-standard ISO 800 is regular for shooting in normal light scenes, while the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. Compared to MAVO LF, MAVO mark2 is capable to retain more highlight details, ideal for shooting in complex lighting environments, presenting organic images and cinematic look.
MAVO mark2 offers more comprehensive lens options by introduction of new mount, embracing the broader and more modern lenses with its interchangeable mount design. It can work smoothly with virtually all cine PL/LPL lens, DLSR EF lens and modern E mount lens, capturing images with more diversified styles.
Native KineMOUNT: The first cinema camera KineRAW-S35 launched by KINEFINITY in 2012 was equipped with the short flange distance native KineMOUNT. KineMOUNT is very convenient for switching mount adapters including EF, PL and LPL adapters without tools.
In addition to keeping the exclusive native KineMOUNT, MAVO mark2 provides two new lens mounts: the Active PL Mount and Active E Mount. Users can install and detach the active mounts without extra flange distance calibration.
Active PL Mount: The reliable cine-style locking mechnism enables the active PL mount to connect the lens with the camera toughly. It supports the Cooke/i protocol, and can saves them into the clip, bringing intuitive interaction on set and flexibility in post.
Active E Mount: MAVO mark2 with the Active E Mount can support most of modern and lightweight E lenses instantly. It allows users to tune the iris, focal length and focus of these electronic E lenses in camera control or manually, also the lens optical stabilization can be activated if the lens has the option.
Apple ProRes4444 Recording
MAVO mark2 has the powerful capability of directly recording high-quality clips in camera from Apple ProRes 422 LT to ProRes 4444XQ. The advanced architecture allows the MAVO mark2 to record ProRes4444XQ format and and records Kine LOG3 Gamma to preserve all the dynamic range data captured by its CMOS image sensor, achieving fast post-production workflow.
Safe and Flexible Recording Media
The SSD slot of MAVO mark2 is based on PCIe, and the recommended recording media is the proprietary KineMAG Nano 1TB/2TB based on NVMe M.2 2280 SSD. KineMAG Nano SSD has two superior safety features: Read-only and RAID 5. It improves the safeness of the KineMAG Nano while copying or writing to the SSD at blazing fast speed in camera. With a universal USB-C port, KineMAG Nano allows offloading data to the workstation at a speed of up to 10Gbps.
Integrated Body Design: MAVO mark2 inherits the integrated body design of MAVO Edge camera which has won the prestigious iF DESIGN AWARD 2021. The compact camera body only weighs 1.35kg(2.98lbs), equipping with a host of general control ports, dual SDI outputs embedded metadata and audio, and high-quality multi-channel audio recording.
Comprehensive Power Solution: The MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports 14.8V V-mount batteries like KineBAT PD 75w/150w. It also supports BP-U type batteries like GripBAT 4S to meet the power demand of complicated camera setups that require a light build. With the addition of Movcam’s cage, the KineKit-Edge, NP-F550 type batteries like GripBAT 2S can support an Uninterruptible power supply to the camera via the UPS Baseplate.
PRODUCT SPECIFICATIONS:
For complete product information click HERE
PRODUCT DETAILS:
Built around a high-performance processor and a new S35 3:2 CMOS image sensor, the MAVO mark2 6K S35 Digital Cinema Camera from Kinefinity is ready to work with the large variety of existing Super35-format lenses using a separately available KineMOUNT and lens adapter of your choice. And with frame rates up to 6K 96 fps and 4K 112 fps, dual native 800/3200 ISOs, 14+ stops of dynamic range, and cleaner imaging, the MAVO mark2 S35 offers enhanced video capture in both standard and low-light settings.
MAVO mark2 adopts the MAVO Edge high-performance computing platform, integrates industry standard ports like independent dual SDI outputs with meta data and encodes stunning images as Apple ProRes4444/XQ footage onto NVMe M.2 2280 SSD. Coming in the lightweight compact camera body with the streamlined workflow, MAVO mark2 S35 and MAVO mark2 LF provide more cinematographers with a professional and efficient filmmaking experience at a more affordable price.
Back to classic S35 image format, MAVO mark2 S35 is designed to cater to use S35 glass, widely available, more styles even more affordable than full frame counterparts.
CMOS Image Sensor
A new 3:2 CMOS image sensor and advanced processing enable the MAVO mark2 S35 to better retain highlight details, enhancing your capture of nuanced lighting environments.
High frame rate options include up to 6K wide 96 fps and 4K wide 112 fps for creating beautiful slow-motion sequences.
Kine LOG3 gamma recording preserves the complete dynamic range captured by the sensor.
Comprehensive Lens Options
Advanced Processing
Lightweight, Integrated Body
Accessory Options
Frame Rate and Resolution Options
S35 Anamorphic
Flexible Recording Media
PRODUCT SPECIFICATIONS:
For complete product specifications click HERE
PRODUCT DETAILS:
The MAVO Edge 6K Cyber Edition is a powerful new full-frame cinema camera with a body made from RAW steel. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.
The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.
The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.
MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.
From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.
The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.
The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.
From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.
The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.
The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.
Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.
In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.
The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.
MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.
The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.
Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.
MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.
Whether small creation or large production can be handled easily with MAVO Edge 6K.
PRODUCT SPECIFICATIONS:
CMOS IMAGING SENSOR: 6K 3:2 Full Frame CMOS Imaging Sensor
Max Record Res: 6016×3984 (Open gate 3:2), 24M
Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K Wide
Active Area: 36x24mm, ø 43.3mm
Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)
Latitude: >14 stops
Shutter Angle: 0.7°~358° with rolling shutter
Lens Mount: Omni Native KineMOUNT, Short FFD Adapters: PL/LPL/Active EF/passive E
Optical Filter: OLPF with UV and IR-cut filter
ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4
CODECS, LUT
Record Codec
Codec Type |
Codec Format |
Bit Depth |
Notes |
Uncompressed RAW |
dng |
12bits |
RAW resolution frame rate will be updated in subsequent firmware versions of MAVO Edge 6K |
ProRes4444XQ |
Quicktime mov |
12bits |
KineLOG3 |
ProRes4444 |
Quicktime mov |
12bits |
KineLOG3 |
ProRes422HQ |
Quicktime mov |
10bits |
KineLOG3,ProRes422/LT included |
LUT
Record Media
KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)
KineMAG Nano Size
1.6×3.5×0.35”/40x88x9mm (WxHxL)
RESOLUTION, FRAME RATE and OPTICAL FORMAT
Full Frame
Resolution |
Frame Rate |
Codec |
Optical Format |
FF 6K OG |
6016×3984, 0.2~48fps |
ProRes |
36x24mm, ø 43.3mm |
FF 6K 17:9 |
6016×3172, 0.2~60fps |
ProRes |
36×19.1mm, ø 41.0mm |
FF 6K 2.4:1 |
6016×2520, 0.2~75fps |
ProRes |
36×15.2mm, ø 39.1mm |
FF 5.7K 3:2 |
5760×3700, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
FF 6K UHD |
5760×3240, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
FF 5.7K 2.4:1 |
5760×2400, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
FF 5K 4:3 |
5120×3700, 0.2~50fps |
ProRes |
30.6×22.3mm, ø 37.9mm |
FF 5K DCI |
5120×2700, 0.2~70fps |
ProRes |
30.6×16.2mm, ø 34.6mm |
FF 5K 2.4:1 |
5120×2160, 0.2~86fps |
ProRes |
30.6×12.9mm, ø 33.2mm |
FF 4.6K 6:5 |
4608×3700, 0.2~50fps |
ProRes |
27.6×22.3mm, ø 35.5mm |
FF 3.8K 3:2 (Oversample) |
3840×2460, 0.2~50fps |
ProRes |
34.5×22.2mm, ø 41.0mm |
FF 4K UHD (Oversample) |
3840×2160, 0.2~58fps |
ProRes |
34.5×19.5mm, ø 39.6 mm |
FF 3.8K 2.4:1 (Oversample) |
3840×1600, 0.2~75fps |
ProRes |
34.5×14.4mm, ø 37.4mm |
FF 3.4K 4:3 (Oversample) |
3456×2460, 0.2~50fps |
ProRes |
31.0×22.1mm, ø 38.1mm |
FF 3K 6:5 (Oversample) |
3072×2460, 0.2~50fps |
ProRes |
27.6×22.1mm, ø 35.3mm |
S35
Resolution |
Frame Rate |
Codec |
Optical Format |
S35 4K 3:2 |
4096×2700, 0.2~70fps |
ProRes |
24.5×16.1mm, ø 29.3mm |
S35 4K DCI |
4096×2160, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
S35 4K 2.4:1 |
4096×1720, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
S35 4K UHD |
3840×2160, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
S35 3.8K 2.4:1 |
3840×1600, 0.2~150fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
S35 3.6K 4:3 |
3712×2700, 0.2~70fps |
ProRes |
22.2×16.1mm, ø 27.4mm |
S35 3.2K 6:5 |
3328×2700, 0.2~70fps |
ProRes |
19.9×16.1mm, ø 25.6mm |
S35 2.7K 1:1 |
2688×2688, 0.2~70fps |
ProRes |
16.1×16.1mm, ø 22.8mm |
S35 2K DCI (Oversample) |
2048×1080, 0.2~112fps |
ProRes |
24.5×12.9mm, ø 27.7mm |
S35 2K 2.4:1 (Oversample) |
2048×860, 0.2~140fps |
ProRes |
24.5×10.3mm, ø 26.6mm |
S35 2K FHD (Oversample) |
1920×1080, 0.2~112fps |
ProRes |
23.0×12.9mm, ø 26.4mm |
S35 1.9K 2.4:1 (Oversample) |
1920×800, 0.2~140fps |
ProRes |
23.0×9.6mm, ø 24.9mm |
Other Cropping
Resolution |
Frame Rate |
Codec |
Optical Format |
3K DCI |
3072×1620, 0.2~144fps |
ProRes |
|
3K 2.4:1 |
3072×1200, 0.2~195fps |
ProRes |
|
3K HD |
2944×1620, 0.2~145fps |
ProRes |
|
3K HD 2.4:1 |
2944×1200, 0.2~195fps |
ProRes |
|
2K DCI |
2048×1080, 0.2~200fps |
ProRes |
|
2K 2.4:1 |
2048×860, 0.2~270fps |
ProRes |
|
2K FHD |
1920×1080, 0.2~220fps |
ProRes |
|
1.9K 2.4:1 |
1920×800, 0.2~290fps |
ProRes |
|
MONITORING
Proprietary Video Port x2
SDI x2
For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
3G/1.5G SDI x2 with Meta data (regular BNC)
AUDIO IN AND OUT
Linear PCM, 24bits, 48KHz
Built-in Mono Microphone
3.5mm Microphone Jack
48V Phantom-power Balanced Input x2 (regular XLR)
3.5mm Headphone Jack
Wireless & Network
Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
WIFI 5 for live stream, camera control
3-axis accelerometer
SYNC AND CONTROL
Linear TC In&Out (0B5P)
Lens with RS232, Power output (0B6P)
SYNC with RS232 and Kinefinity camera sync(0B7P)
Rec trigger input with Power output (fisher 3P)
Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)
Type-C USB x1, can be used for firmware updates and importing custom LUTs
POWER IN AND OUT
29W, when 6K HD 25p, liveview
Integrated V-mount battery plate, V-mount battery or BP-U compatible
DC Input (1B2P), 11~26V
UPS EXT 3(for pogo-pin, 2×5 contacts)
D-tap x1, Vbat @3A; Vbat as DC in or BAT in
RS x1, Vbat @3A (Shared with D-tap)
Lens x1, Vbat @3A
CONSTRUCTION AND SIZE
Ultra-high Strength Aircraft Aluminium
3.5lb/1.6kg
4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)
0°C ~ 40°C
For full specifications of this model of products please visit the Panasonic site clicking HERE
PRODUCT DETAILS
Featuring V-LOG / V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time, the LUMIX S1H is the new full-frame mirrorless camera package that finally helps you deliver the cinematic video you've been dreaming of.
KEY FEATURES
Newly Designed Full Frame Sensor - 24.2MP full-frame MOS sensor offers a wide dynamic range and sharp, natural expression at high sensitivity settings.
6K 10-bit Video - Includes full-area 3:2 6K/24p, C4K(4096 x 2160) and Anamorphic modes.
Dual Native ISO - Offers the advantages of very high sensitivity for low-light shoots while suppressing noise levels, allowing the camera to switch from a standard sensitivity to a higher sensitivity with almost no noise degradation.
V-LOG / V-Gamut - Features a wider 14+ stops of dynamic range, which are compatible with the Cinema VariCam Look, to capture everything from shadows to highlights.
Rugged Mirrorless Camera Design - Dust/splash/freeze-resistant design withstands heavy field use under harsh conditions for high mobility.
For full specifications of this product and all its variations (models, accessories, etc.), please visit the OBSBOT TALENT site by clicking HERE
PRODUCT DETAILS
OBSBOT Talent is a truly ALL-IN-ONE boundary-breaking system that offers extensive connectivity for OBSBOT Camera and Webcam products, leading you to exploit ultra Live Streaming and Production capabilities. Take advantage of various connection methods and built-in production features. Everything is ready for your live streaming.
Size: 5.44"
Type: AMOLED
Aspect Ratio: 16:9
Resolution: 1920x1080
Brightness: 350 nits
Color Depth: 8-bit
Contrast Ratio: 6000:1
Color Gamut: 105% NTSC
Refresh Rate: 60Hz
Viewing Direction: All
PPI: 405
Touchscreen: Capacitive
Screen Coating: Anti-fingerprint coating
HDMI:
Port: 2x HDMI 2.0 Type-A port
Typical resolution/frame rate:
4096x2160p/3840x2160p 23.98/24/25/29.97/30/59.94/60
1920x1080p 23.98/24/25/29.97/30/50/59.94/60
1920x1080i 25/29.97/30
1280x720p 23.98/24/25/29.97/30/50/59.94/60
720x576p 50/100
720x576i 25/50
720x480p 59.94/60
720x480i 29.97/30
Color depth: 8/10/12-bit
Color sampling: RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2
SRT Stream:
Codec: H.264, H.265
Resolution/frame rate: Up to 1080p, 60fps
RTMP Pull:
Codec: H.264, H.265
Resolution/frame rate: Up to 1080p, 60fps
RTMP Push:
Codec: H.264, H.265
Resolution/frame rate: Up to 1080p, 60fps
NDI® Stream:
NDI HX2 or NDI HX3
Codec: H.264, H.265
Resolution/frame rate: Up to 1080p, 60fps
Video:
Resolution: Up to 4K
Codec: H.264, H.265
Format: MOV/MP4
Picture:
Format: JPEG/PNG/BMP
For full specifications of this product and all its variations (models, accessories, etc.), please visit the OBSBOT Tiny site by clicking HERE
PRODUCT DETAILS
Stay Pro, Stay Productive
Maintaining the best-in-class image quality, OBSBOT Tiny 2 Lite has now arrived with a worthy price, industry-advanced AI features, and the brand new productive Preset Modes. Experience a seamless journey in your video calls in portrait or landscape with Tiny 2 Lite; your workflow will be professional and productive like never before.
KEY FEATURES:
Efficient, Excellent, Artificial Intelligent
AI Auto Tracking with Auto Zoom
After generations of polishing OBSBOT’s deep neural learning network algorithm, Tiny 2 Lite can now track you in real-time with better framing and appropriate automatic zoom effects. This frees up your hands while adjusting the zoom as desired.
More Accurate Bodypart Tracking
For Tiny 2 Lite, the body part tracking primarily focuses on upper body and close-up. The iterative algorithm in this version offers improved accuracy and smoothness during tracking.
Be Productive with Preset Modes
With the brand new Preset Modes on Tiny 2 Lite, you can now preset the PTZ position and many more parameters! Features like tracking mode, image settings, and Background Blur can be set in advance to enhance your workflow's productivity.
Magical, Efficient Gesture Control 2.0
Use Gesture Control 2.0 to streamline your workflow even from a distance. Three gestures are available for activating AI Auto Tracking and adjusting the Zoom in/out settings.
Professional Video Image
New Webcam Image Standard Settled
Premium 4K Experience. Budget-Friendly Price.
Capture stunning moments in UHD 4K resolution. With up to 4K@30fps and 1080P@60fps, Tiny 2 Lite is an excellent budget choice for capturing vivid details and memorable moments in your everyday life!
Precise, Deft Auto Focus
Tiny 2 Lite utilizes the advanced PDAF (Phase Detection Auto Focus) technology. This allows for a deft and accurate focus process by swiftly detecting the phase and moving the lens immediately to the focus point.
Reliable CMOS for Better Low Light Performance
Tiny 2 Lite's advanced 1/2" CMOS sensor gains amazing image signals and enables an obvious leap in image quality, offering reliable bright-light performance with HDR and low-light performance powered by optimized algorithm.
Your Voice, Focused and Super-clear
Tiny 2 Lite equips a dual-omnidirectional microphone with adjustable noise cancellation. It fits various scenarios for achieving a sound-image synchronized video call experience, as well as a human voice augmentation technology which maintains high-quality sound transmission even in noisy background.
Seamless Video Calls Experiences
Smarten Workflow with Tiny 2 Lite
An Imaginative Tool with Creative Shooting Modes
Rich shooting modes light up your creativity. From shooting in landscape or portrait mode to shooting from an upside-down position, Tiny 2 Lite 1/4' interface gives you the greatest support. Wherever you choose to install it, it ensures clear and pixel-perfect video images.
Get Your Video Call Pro and Protected
Tiny 2 Lite protects your video capture with Sleep Mode 2.0 and other built-in features. In sleep mode, you can select a static image as a shield against leaks.
Simpler. Lighter.Built-in Stand.
Following the design of OBSBOT Tiny 2, the Tiny 2 Lite also embraces minimalism and practicality. With a built-in stand and 2-axis gimbal, your video call experience will be stable for you to unleash more possibilities.
Stream Deck + Tiny 2 Lite=Smooth Workflow
The Tiny 2 Lite is compatible with the Elgato Stream Deck, a production console that enhances the control smoothness of the Tiny 2 Lite without the need for an extra app.
Expand Potential with OBSBOT Center
As one of the most productive control panels in the OBSBOT family, the inner potential of Tiny 2 Lite can be greatly expanded by OBSBOT Center with PTZ control, Beauty Mode, Preset Modes setups, and more features to explore.
Compatibility Makes Workflow Productive
With support for the different tools, Tiny 2 Lite performs an impressive range of uses, which makes it a really productive webcam device for most video platforms you want.
Check this Tiny2 video: