For complete specifications of this product please visit the Datavideo official site clicking HERE

PTC-300 Brand New 4K PTZ Camera

For full specifications of this model of products please visit the Panasonic site clicking HERE

The X1500 is a small lightweight 4K 60p professional video camera. Offering the on-site mobility and portability demanded by professionals, it enables high-quality 4K 60p recording.

Achieving high-spec optical performance with a wide-angle 25mm*2 lens and 32x i. ZOOM (4K recording), Panasonic's exclusive high-precision AF provides high-speed, accurate focusing for both 4K and Full-HD shooting.

KEY FEATURES

[PRO FEATURES] Manual rings, ND filters, and 24-bit high resolution linear PCM audio recording, 4: 2: 2 10-bit internal recording, double SD card slots

[WIFI LIVE STREAMING] HD live streaming supported by built-in Wi-Fi

[4K RECORDING] 4K 60p recording in a small and light body with a heat-dispersing design

[LEICA DICOMAR LENS] Wide-angle 25mm 24x optical zoom with 5-Axis Hybrid O. I. S (Optical Image Stabilization) and high-speed and focusing.

[DISPLAY / LVF] The 3. 5-inch monitor (2, 760K-dots) with electrostatic touch panel, plus up/down tiltable viewfinder (1, 555K-dot). Simultaneous LCD output is available.

For full specifications of this model of products please visit the Panasonic site clicking HERE

PRODUCT DETAILS

The X2000 professional video camera enables high-quality 4K 60p recording. A wide-angle 25mm lens and 32x i. ZOOM (4K recording), Panasonic's exclusive high-precision AF provides high-speed, accurate focusing for both 4K and Full-HD shooting. X2000 is packed with professional functions, such as 3G SDI Output Two Manual Rings, an ND Filter, a Built-in LED Video Light, and 24-bit High Resolution Linear PCM Audio Recording.

KEY FEATURES

[PRO FEATURES] WiFi live streaming, manual rings, ND filters, built-in LED video light, and 24-bit high resolution linear PCM audio recording, 4: 2: 2 10-bit internal recording, double SD card slots

[VW-HU1 HANDLE] Includes a detachable handle equipped with a 2-channel XLR Audio Input, audio control, and LED light. Also operates zoom.

[4K RECORDING] 4K 60p recording in a small and light body with a heat-dispersing design

[LEICA DICOMAR LENS] Wide-angle 25mm 24x optical zoom with 5-Axis Hybrid O. I. S (Optical Image Stabilization) and high-speed and focusing.

[DISPLAY / LVF] The 3. 5-inch monitor (2, 760K-dots) with electrostatic touch panel, plus up/down tiltable viewfinder (1, 555K-dot). Simultaneous LCD output is available.

The Sony HXC-FZ90 Studio Camera System is a professional broadcast camera designed for live production environments like sports, studios, houses of worship, and esports. It’s not a typical “video camera”—it’s part of a full studio chain system used in TV production.
Portable studio camera system (not handheld camcorder)

KEY FEATURES:

• Designed for multi-camera live production
• Works with CCU (camera control unit), fiber/triax, studio viewfinders, and broadcast lenses
• Often mounted on tripods in control-room setups 

• 2/3-inch 4K CMOS sensor ? high-quality broadcast image
• HD-first, 4K-upgradable via software license (saves upfront cost)
• Oversampling from 4K ? sharper HD output
• HDR support (BT.2020 / SR Live) for modern broadcast pipelines
• High sensitivity + dynamic contrast (UMBRA) for low-light shooting
• Built-in assist tools (focus assist, auto exposure, shading) for live operators
• Network trunk / remote control for integration into broadcast systems 
  
  View full specifications here:https://pro.sony/ue_US/products/4k-and-hd-camera-systems/hxc-fz90

World’s first full-frame PTZ (Pan-Tilt-Zoom) camera with interchangeable lenses. Essentially, Sony took the guts of their high-end Cinema Line (like the FX6) and put them on a motorized robotic base.

Key Specifications

• Sensor: 35mm Full-Frame Exmor R CMOS (approx. 10.3 effective megapixels).
• Lens Mount: Sony E-mount (compatible with over 70 lenses).
• Video Quality: Supports up to 4K at 120fps for smooth slow motion.
• Dynamic Range: 15+ stops, matching the look of other Cinema Line cameras.
• ISO Sensitivity: Dual base ISO (800/12800) expandable up to 409,600 for extreme low-light performance.

ND Filter: Built-in electronic variable ND (1/4 to 1/128).

View complete specifications here: https://pro.sony/ue_US/products/ptz-network-cameras/ilme-fr7

The Sony FX30 (ILME-FX30) is a powerhouse for creators who want the "Cinema Line" experience without the full-frame price tag. It’s essentially the younger sibling to the FX3, packing professional filmmaking tools into a compact, Super 35 (APS-C) body.

Key Video Specs

The FX30 is built for a "video-first" workflow, prioritizing thermal management and post-production flexibility.

• Sensor: 26.1MP APS-C (Super 35) CMOS sensor.
• Resolution: Oversampled 4K (from 6K) up to 60p; 4K at 120p (with a 1.6x crop).
• Color Science: Includes S-Cinetone for beautiful skin tones straight out of camera and S-Log3 for maximum dynamic range.
• Bit Depth: 10-bit 4:2:2 internal recording for serious color grading.
• Dual Base ISO: 800 and 2500, which helps keep footage clean in low-light situations.

Build & Ergonomics

Unlike hybrid cameras (like the A7 IV), the FX30 is designed specifically for rigging.

• Cage-Free Design: The body features five 1/4-20 UNC threaded mounting points, allowing you to bolt accessories (monitors, mics, handles) directly to the camera.
• Active Cooling: It has an internal fan, meaning you can record long takes in 4K without worrying about overheating.
• Tally Lights: Multiple record lamps (front, top, and back) so you always know when you're rolling.
• B-Model Note: The "B" in ILME-FX30B typically denotes the "Body Only" version (without the XLR top handle).
  
  
  
• View full specifications here: https://pro.sony/ue_US/products/handheld-camcorders/ilme-fx30

The Sony ILME-FX6 remains a titan in the mid-range cinema world, even as we move through 2026. Combining a full-frame sensor, internal ND filters, and professional I/O— it has kept it relevant for documentary, corporate, and high-end wedding work.

In fact, Sony just extended its life cycle significantly with the Version 6.00 firmware update released in February 2026.

?? Key Specifications

What's New in 2026 (Firmware v6.00)

The latest firmware brought "Big Camera" features down to this compact body:

• The "Big 6" Menu: A redesigned quick-access menu (similar to the Sony BURANO and VENICE) that lets you see and adjust the six most critical shooting settings on one screen.
• Blackmagic RAW Support: You can now output RAW via HDMI to Blackmagic Video Assist recorders, a huge win for post-production flexibility.
• Clean Viewfinder: Camera data is now moved to the black borders (OSD) rather than overlaying the image, giving you a completely unobstructed view of your frame.
• HLG Mild: A new Base Look for HDR shooters that provides a softer, more cinematic starting point.
  
  View complete specifications here: https://pro.sony/ue_US/products/handheld-camcorders/ilme-fx6

The Sony ILME-FX2B is a full-frame addition to Sony’s Cinema Line, designed to bridge the gap between high-end mirrorless hybrids and dedicated cinema cameras.

Released to appeal to solo operators and travel filmmakers, it sits in a unique spot in the lineup—offering a higher resolution sensor than the FX3 but a more compact, viewfinder-equipped body compared to the larger FX6.

Key Specifications

What Makes the FX2 Distinct?

• The Hybrid "Cinema" Body: Unlike the FX3, which is strictly "flat-top" for cage mounting, the FX2 includes a built-in tilting electronic viewfinder (EVF). This makes it much friendlier for handheld outdoor shooting where glare makes the LCD difficult to see.
• AI-Powered Autofocus: It utilizes the newer AI processing unit found in cameras like the A7R V and A9 III, providing superior subject recognition (humans, animals, birds, insects, cars/trains, and airplanes).
• 7K Oversampling: Because it uses a 33MP sensor (similar to the A7 IV), it downsamples from 7K to produce extremely sharp 4K footage at standard frame rates.
• Integrated Cooling: Despite its smaller size, it retains an internal fan and heat-dissipating structure to prevent overheating during long 4K 60p takes.

View the full specifications here: https://electronics.sony.com/imaging/interchangeable-lens-cameras/all-interchangeable-lens-cameras/p/ilmefx2b

PRODUCT DETAILS:

The MAVO Edge 6K is a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.

The MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing/artifacts while keeping very sharp images.

The MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots. 

MAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.

From Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.

The MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.

The MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.

From capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.

The MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.

The new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.

Frame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.

In addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.

The MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.

MAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.

The compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.

Kinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012. 

MAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles. 

Whether small creation or large production can be handled easily with MAVO Edge 6K. 

CMOS IMAGING SENSOR

6K 3:2 Full Frame CMOS Imaging Sensor

Max Record Resolution: 6016×3984 (Open gate 3:2), 24M

Frame Rate: 0.2~75fps @FF 6K Wide, 0.2~150fps @S35 4K

Active Area: Wide 36x24mm, ø 43.3mm

Dual Base ISO: Regular Base ISO: 800 (500 – 2560), High Base ISO: 5120 (3200 – 20480)

Latitude: >14 stops

Shutter Angle: 0.7°~358° with rolling shutter

Lens Mount: Omni Native KineMOUNT,
                     Short FFD Adapters: PL/LPL/Active EF/passive EOLPF with UV and IR-cut filter

ND Filter: Built-in motorized: Clear and e-ND from 0.6 to 2.4

CODECS, LUT

Record Codec

LUT

Record Media

KineLOG3, Neutral(Rec 709), Support Custom 3D LUT

Media Slot x2, for KineMAG Nano SSD 1TB based on NVMe M.2 SSD (3rd party NVMe M.2 2280 cards are also supported via the KineMAG Nano card body)

KineMAG Nano Size

1.6×3.5×0.35”/40x88x9mm (WxHxL)

RESOLUTION, FRAME RATE and OPTICAL FORMAT

Full Frame

S35

Other Cropping

MONITORING

Proprietary Video Port x2

SDI x2

For Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen

3G/1.5G SDI x2 with Meta data (regular BNC)

AUDIO IN AND OUT

Linear PCM, 24bits, 48KHz

Built-in Mono Microphone

3.5mm Microphone Jack

48V Phantom-power Balanced Input x2 (regular XLR)

3.5mm Headphone Jack

Wireless & Network

Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer

WIFI 5 for live stream, camera control

3-axis accelerometer

SYNC AND CONTROL

Linear TC In&Out (0B5P)

Lens with RS232, Power output (0B6P)

SYNC with RS232 and Kinefinity camera sync(0B7P)

Rec trigger input with Power output (fisher 3P)

Data & Control, EXT1 & EXT2(for pogo-pin, 2×4 contacts)

Type-C USB x1, can be used for firmware updates and importing custom LUTs

POWER IN AND OUT

29W, when 6K HD 25p, liveview

Integrated V-mount battery plate, V-mount battery or BP-U compatible

DC Input (1B2P), 11~26V

UPS EXT 3(for pogo-pin, 2×5 contacts)

D-tap x1, Vbat @3A; Vbat as DC in or BAT in

RS x1, Vbat @3A (Shared with D-tap)

Lens x1, Vbat @3A

CONSTRUCTION AND SIZE

Ultra-high Strength Aircraft Aluminium

3.5lb/1.6kg

4.1×4.8×4.3?/106x124x109 mm (*w/o protrusion)

0°C ~ 40°C

PRODUCT DETAILS

The MAVO Edge 8K is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes4444/XQ up to 8K to the MAVO Edge as an in-camera codec to make the workflow easier.

The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically.

MAVO Edge can directly record Apple’s ProRes4444/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. Aside from this, MAVO Edge also supports in-camera ProRes4444/XQ and ProRes422HQ.

Recognized by Hollywood’s filmmaking industry, ProRes is an universal intermediate codec led by Apple Inc., delivers the flexibility of video with the incredible performance of ProRes in a format ideal for high-dynamic-range (HDR) content creation. For now, ProRes can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on.

The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution.

MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports: dual XLR ports for Phantom-powered 48V MIC, dual 1.5G/3G-SDI monitoring outputs with metadata and audio embedded, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port, and 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly.

New-designed KineKIT Edge includes innovative baseplate, more compact EVF bracket, much stable Top Handgrip and new Side Support, which are flexible for MAVO Edge to use in different scenarios.

Movcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. New-designed KineKIT from Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for MAVO Edge.

SPECIFICATIONS:

For full product specifications click HERE