Loading...
4K 60p Camcorder

4K 60p Camcorder

The Smallest, Lightest
by Panasonic
Ref # AG-CX10

For full specifications of this model of products please visit the Panasonic site clicking HERE

PRODUCT DETAILS

Professional camcorders combine power with mobility. These compact units enable high-quality 4K 60p recording with the excellent portability required for professional use. They deliver a high-spec optical performance with a wide-angle 25mm*2 lens and optical 24x zoom featuring Face Detection AF/AE. Professional functions include Two Manual Rings, an ND Filter, a Built-in LED Video Light and 24-bit High-Resolution PCM Audio Recording.

Video acquisition utilizes 4:2:2 10-bit internal recording*3 and the new HEVC (High-Efficiency Video Coding) codec for video compression. HD live streaming is possible with the camcorder body alone due to built-in Wi-Fi. Also, in addition to serving as a highly mobile and responsive director’s camera for strong support when shooting on-location and news gathering, the design also meets the needs of advanced amateurs for uncompromising 4K imaging.

KEY FEATURES

1/2.5-type (1/2.5-inch) Sensor
LEICA Dicomar Lens
Wide 25mm and Optical 24x Zoom Lens
4K High-Precision AF
Face Detection AF/AE Using Color
5-Axis Hybrid O.I.S. (UHD/FHD)
Ball O.I.S. System
ND Filter
Heat-Dispersing Design
Venus Engine
HEVC 4:2:0 10-bit Recording
Multi-Formats Supported
Proxy Rec Supported
4:2:2 10-bit Internal Recording / HDMI Output
MOV File System for Excellent File Management
Super Slow-motion Recording
IR (Infrared) Shooting in Dark Places
16-Axis Independent Color Correction Function
Soft Skin
Master Detail
8-Mode Gamma
Scene Files
Save/Restore Camera Setting
LCD/EVF Displays That Assist Shooting
Professional Assist Functions


4K/HD Handheld Camcorder

4K/HD Handheld Camcorder

24mm industry-best wide-angle*, 20x optical zoom and super-slow motion recording
by Panasonic
Ref # AG-UX180

PRODUCT DETAILS

The Panasonic ag-ux180 4K premium professional Camcorder records DCI 4K (Cinema 4K) at 24P, UHD 4K at up to 60P, and FHD up to 120P (when set to 59. 94Hz standard). The camera is switchable between the 59. 94 and 50Hz frame format, which is analogous to NTSC and PAL. This allows the camcorder to integrate seamlessly with a wide range of current broadcast video systems in place around the world.

Featuring an integrated 20x optical zoom lens and a 1" Type sensor, the camera records in DCI 4K, UHD, and HD in MOV, MP4. The camera is also capable of recording HD in the avid format.

The 16-axis color correction functionality enables precise color adjustment not normally available on a camcorder. The ag-ux180 offers a bevy of other professional-level features, including dual xlrs with Phantom power, SMPTE time-code generation, Gamma settings for eight different scenarios, and manual control rings for iris, zoom, and focus. To monitor the status of all settings, and to perform critical focusing functions, the camcorder features both a high-quality 3. 5" Oled touch screen and a full-color LCOS 0. 45" Viewfinder with 1, 770, 000 dots of resolution. It incorporates two SD slots that allow for simultaneous recording in UHD and HD (DCI 4K can only record to one SD card). You can also choose relay recording, which allows the recording to shift from one card slot to the other as the card fills up.

Panasonic background recording allows you to record continuously on one card, while starting and stopping The recording on the first card. Dual codec recording is available allowing you to record UHD on one card and HD video on the second.


KEY FEATURES

20x optical zoom and 24mm industry-best wide-angle* LEICA DICOMAR lens

1.0-type 4K MOS Sensor with 4K 24p and UHD 60p/50p recording capabilities

Intelligent Auto-Focus supports smooth and fast focusing when shooting in 4K

High-Resolution Intelligent Zoom increases zooming capability by 30x whilst maintaining high resolution

Super-Slow Motion recording at 120fps in FHD

High-quality 4K/FHD images

High-quality 4K/FHD images

Wide-angle 24.5 mm, 15x optical zoom lens, 1.0-type MOS sensor
by Panasonic
Ref # AG-UX90

For full specifications of this model of products please visit the Panasonic site clicking HERE

PRODUCT DETAILS

Panasonic introduces the 4K camcorder UX series to meet professional 4K video production needs. The AG-UX90 is the “UX standard model” for easy, high-quality 4K/FHD recording. It is equipped with a newly designed compact lens featuring a wide 24.5mm angle* and 15x optical zoom. Its Optical Image Stabilizer (O.I.S.), intelligent AF function, and Manual Three Rings are ideal for professional camera work. 

The AG-UX90 is equipped with a 1.0-type high-sensitivity MOS sensor. It supports UHD 30p/24p and FHD 60p/30p/24p multi-format recording. In addition to 4K (UHD) high resolution, it provides high-quality FHD recording at 50 Mbps. Two SD memory card slots enable relay/simultaneous recording. The AG-UX90 also has a design and operating ease that will feel familiar to professional photographers, and a variety of interfaces, including HDMI output and XLR input. Offering the same level of agility and mobility as a conventional HD handheld camcorder, the AG-UX90 provides powerful support for highimage-quality 4K/HD video production.

* 35 mm film camera equivalent in FHD mode. 35.4 mm in UHD mode.

KEY FEATURES

Newly Developed Wide-Angle 24.5 mm and 15x Optical Zoom LEICA DICOMAR Lens

1.0-Type MOS Sensor for High-Precision, UHD 30p or FHD 60p Recording

Advanced Optical Image Stabilizer and High-Speed, High-Precision Intelligent AF

Versatile Manual Functions — Manual Three Rings + Focus Assist

FHD VFR (Variable Frame Rate) Recording, Double SD Memory Card Slots

Camera Image Adjustment Functions, Including Details and Gamma Modes

Functions and Designs to Support Professional Camera Work

Professional Interfaces for Smooth System Operation

ALEXA 35

ALEXA 35

A new era begins
by Arri
Ref # ARRALEXA35

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

The ARRI ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor in 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, better low light performance, and richer colors.

The new REVEAL Color Science takes full advantage of the sensor’s image quality, while ARRI Textures enhance in-camera creativity. Easy operation, robust build quality, new accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

KEY FEATURES

More dynamic range, contrast, and sensitivity

ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects.

With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35 is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in low light. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before.

REVEAL Color Science

ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Color Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new color engine for more accurate color reproduction, a new wide gamut color space for faster grading, new LogC4 encoding to contain the increased dynamic range, and new LogC4 LUTs (Look Up Tables) for improved color fidelity.

While bringing out the best of the ALEXA 35’s new sensor, REVEAL Color Science is also backwards compatible. ARRIRAW footage captured by ALEXA LF and Mini LF cameras can be processed with REVEAL Color Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post.

Enhanced creative control

With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice.

ARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock.  

Easy operation and new accessory range

ALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Color Match, pre-recording capability, and a slew of usability improvements such as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine.

ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera’s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any shooting situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration.

ALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of-charge standalone apps like the iPhone/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder.

Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates inmind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.

To learn more about ALEXA 35, visit www.arri.com/alexa35

ALEXA SXT W

ALEXA SXT W

Ready to Unplug
by Arri
Ref # ARRALEXASXTW

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

The ALEXA camera system is known for its exceptional image performance that is simple to operate, reliable in even the most extreme environments and versatile enough to cover a wide range of workflow and budget requirements.

Based on this proven technology is the ALEXA SXT W: It has a built-in video transmitter which makes the camera smaller and lighter than it would be with an external transmitter. It also means fewer cables around the camera and fewer associated problems, since cable failure is by far the most common technical hitch on set. Camera setup and power-up are quicker, and productions are able to move faster.

KEY FEATURES

Best overall image quality

Efficient and versatile workflows

Simple and safe operation

Open, future-proof architecture

Integrated wireless video, ARRI ECS and WiFi radios

Flexible monitoring options: 4 independent outputs (EVF, Mon Out 1-3)

Independent color space, surround view and look

ARRI Wireless Video System

The ALEXA SXT W forms part of a new and complete ARRI Wireless Video System (WVS), along with a stand-alone video transmitter for use with other ARRI or third-party cameras, and a stand-alone video receiver that picks up signals from either transmitter. 

An extensive accessory range includes various mounting brackets, antenna extensions and the handheld Director’s Monitor Support (DMS-1), as well as a specially adapted Transvideo monitor with a built-in receiver for the ARRI transmitters. Whether using this monitor or others, the modular system allows for a compact and efficient setup. An extra power-out on the video receiver, for example, permits a single on-board battery to power both the receiver and an attached handheld monitor. A higher input voltage range allows more flexibility on battery choice. 

AMIRA

AMIRA

Go anywhere, shoot anything
by Arri
Ref # ARRAMIRA

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

The perfect tool for your job - is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps. 

It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

Amira Live

Amira Live

The cinematic Super 35 live TV camera
by Arri
Ref # ARRAMIRALIVE

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

Pairing streamlined, dependable multicamera setups and rich, natural Super35 imaging, the ARRI AMIRA Live Premium Set delivers an efficient, cinematic workflow for your live broadcast needs.

This Premium Set adds the PL LDS lens mount and the Premium License Key to the standard AMIRA Live Camera Set. Using the same ALEV III Super35 sensor as the rest of the AMIRA line, the AMIRA Live ticks off cine-style boxes like shallow depth of field, high dynamic range, the ARRI Look Library, and 3D LUT support. At the same time, its cable-free configuration with the separately available 1800 fiber back aligns the AMIRA with more typical broadcast-style cameras, eliminating the dreaded accidental disconnect with potential port damage and speeding your build time.

Created specifically for multicamera use, the AMIRA includes the Premium, Advanced, UHD 4K, and ARRI Look Library License Keys to help match your AMIRA or ALEXA footage.

Shared AMIRA functions include a 14+-stop dynamic range, an EI range of 160 to 3200, motorized ND filters, CFast 2.0 recording, and a pre-record buffer. This camera’s versatile recording options include up to 2.8K ARRIRAW, UHD 4K60 ProRes, and from 1 to 200 fps in 2K and HD ProRes.

The Premium license enables ProRes 4444, ProRes 4444 XQ, and 2K (2048 x 1152) recording in addition to the Advanced level’s ProRes 422 (HQ) format. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. In addition to the PL lens mount included with this set, you can choose from separately available LDS PL, Canon EF, and B4 mounts.

With SUP 6.1, ARRI introduces enhanced multicamera functions like an always-welcomed faster boot-up time, improved sharpness and noise reduction, user-button intercom talkback for easier shoulder-mounted communication, and a green tally viewfinder function. And in a boon for shooters used to cine-style capture, SUP 6.1 also eliminates the need for a separate box for direct RCP iris control of cine-style lenses when using RF FIZ motors.

This set includes the following components:

  • KK.0038511 AMIRA Live Camera Body
  • 10.0001095 AMIRA Premium Lincense Key
  • 10.0003723 4K UHD Licence Key
  • 10.0014641 AMIRA ARRI Look Library Key
  • K2.0001107 PL LDS LEns Mount
  • Camera Handle
  • Cross Pipe

Alexa Mini LF

Alexa Mini LF

Large Format Small Camera
by Arri
Ref # ARRMINILF

For full specifications of this product please visit the Clear-Com site clicking HERE

PRODUCT DETAILS

Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA Mini LF (LPL) camera offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 mode.

The ALEXA Mini LF combines large-format resolution with an optimal pixel size for excellent image quality producing vivid, nuanced images with natural skin tones and smooth bokeh.

The ALEXA Mini LF is designed with ARRI’s LPL lens mount that has been optimized for large-format capture and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter and shorter flange focal depth than the original ARRI PL mount enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.

ARRI Multicam System

ARRI Multicam System

Truly cinematic multi-camera live productions
by Arri
Ref # ARRMULTICAMSYS

For full specifications of this product please visit the ARRI site clicking HERE

PRODUCT DETAILS

Cinematographers strive for a cinematic look; producers seek efficient and flexible workflows. When it comes to live, multi-camera productions, these requirements can conflict. ARRI’s response is a simple-to-integrate fiber transmission system developed in partnership with specialist firm DTS.

The combination of ARRI cameras and the 1800 fiber backend delivers a cinematic aesthetic with the efficiency of a live transmission system.

Customers can record in-camera for post, finishing, or slow-motion effects, while simultaneously transmitting live HD or UHD/4K signals to a broadcast facility, stage displays, or social media channel, using standard production environments like OB vans or studios.

The ARRI Multicam System knits a variety of components together to give program-makers flexibility tailored to their needs. 

AMIRA Multicam Setup

AMIRA Multicam easily can be integrated into existing infrastructure, providing interfaces with, for example, PGM Return, Tally (green/red), and Genlock. The system will work with fiber-based transmission types like DTS, Ereca, Protech Nipros, MultiDyne, Sokong, and Telecast, allowing the transport of all video and data signals over a single SMPTE-311 fiber cable, providing power, as well as Wireless (RF) and Ethernet/BNC cable connection.

It also allows for on-board recording of any format, including LogC on CFast 2.0 cards in parallel to the live SDI output. LogC recording allows for the retention of all image information throughout the production process but also gives the option of transfer to a color space target either within the camera, or at any later stage of the production process.

URSA Mini Pro 4.6K G2

URSA Mini Pro 4.6K G2

next generation digital film camera with updated electronics and a high performance 4.6K HDR image s
by Blackmagic Design
Ref # BLACINEURSAMUPRO46KG2

For full specifications of this model and all other URSA Mini products please visit Blackmagicdesign site clicking HERE

The Blackmagic URSA Mini Pro 4.6K G2 has a Super 35mm 4.6K sensor with 15 stops of dynamic range at up to 120 fps or 2K at up to 300 fps! The interchangeable lens mount comes with EF as standard, optional PL, F and B4 mounts available. You get built in ND filters, Blackmagic RAW or ProRes recording to dual CFast or SD cards, HD-SDI monitoring, XLR audio, timecode or reference in and a USB-C expansion port.
Easy to Use Blackmagic OS

With advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!

Revolutionary Lightweight, Portable Design

URSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you  view critical information. Plus there’s a 4" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G-SDI in and out, USB-C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!

Interchangeable Lens Mounts
Different projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!

Showing: 1 to 10 of 289